Archivists on the News: “Hidden in Plain Sight”: Institutional Amnesia and the Archives

Archivists on the News is a series where archivists share their perspectives on current news topics. This post comes courtesy of Alex Bisio, Lead Processing Archivist and Assistant Librarian at the University of Oregon.

Late February’s news cycle was dominated by yet another political scandal. Rather than the now familiar chorus of collusion, corruption, and congressional gridlock, this state-level scandal turned the national conversation toward personal accountability and the pervasiveness of racism in American culture, particularly in the recent past. The governor of Virginia, Ralph Northam, was discovered having allegedly appeared in blackface with a classmate dressed as a member of the Ku Klux Klan at a medical school party, which was documented in a photograph that was later published in the school’s 1984 yearbook.  Northam first confirmed and then denied that he was the individual in the yearbook picture. It was later discovered that two other individuals in the Virginia government had their racist actions preserved in their own college yearbooks.

White America took yet another moment to be aghast at the “revelation” that even as recently as the 1980s blatant celebrations of racism have been, and still are, incredibly common on college campuses all over the country. In this case, it could be cynically said, white America may have been more aghast at the revelation that evidence of these celebrations can easily be found by anyone at any college library or archive.

Indeed, this event in Virginia politics sent scores of student journalists to their own libraries and institutional archives, where many learned not only about past campus culture’s ties to racism, but about where that information could be located. “These documents are easily available,” wrote the editorial board of the Minnesota Daily, the student newspaper at the University of Minnesota, Minneapolis, “All yearbooks are available publically, free of charge, in the basement of the Anderson Library. Examples of racial bigotry are hidden in plain sight and no one really talks about them.” 1

Students weren’t the only ones who were prompted to start looking at how evidence of racism has been preserved in the historical record on college campuses. Administrators at several universities, possibly eager to “get out in front” of a potential scandal of their own, were quick to make statements condemning their institution’s racist past. A few universities have set up taskforces of administrators, faculty, and librarians to specifically examine yearbooks, both digitized and print, for what one university euphemistically termed “images of concern.” 2 It is unclear, however, what will be done with the images when the reviews are completed. Other institutions preemptively published statements regarding the potential for offensive content in their holdings while defending the practices of preserving their history. 3

Perhaps surprisingly, none of the institutions that reviewed yearbook content suggested removing historical student publications from the web or the stacks. On the contrary, many were vehemently opposed to doing so. “The offensive and racist images in our yearbooks cannot be erased any more than they can be forgotten. They are a permanent part of our record,” wrote Emory University President Claire E. Sterk in an email to her campus community, “Much as I despise what those images represent, I think it is important that Emory’s yearbooks continue to be accessible online.” 4

Certainly, it is encouraging to see college students and administrators working with librarians, archivists, and historians to confront the sins of the past rather than bury or deny them. However, the documents that reveal evidence of the often racist, sexist, and classist culture that has flourished in some of the most hallowed halls of higher education in America, were never hidden. College and university archives have been actively maintaining these kinds of documents and making them available to the concerned, or simply curious, for decades. Archivists are, furthermore, becoming more visible participants in these important conversations about the preservation and presentation of American history and culture. Is the specter of scandal, and the desire to control the media narrative surrounding that scandal, really the only time stakeholders will highlight the value of archival resources and demonstrate how institutional archives inform, and sometimes complicate, the place of campus culture in broader conversations about race, sex, and class in American history?

While it seems as if little has truly resulted from February’s media frenzy, (Ralph Northam, for example, has refused to resign from office) we can hope that white Americans will not settle back into a kind of collective amnesia about racism’s fervent hold on American institutions, even the progressive intuitions that claim to know better. We must also hope that if and when this kind of scandal floods media outlets again, that people in higher education, particularly administrators, will not suffer from the same amnesia. If we are genuine about our commitment to confronting the history of prejudice and inequality on American college campuses and dealing with the legacy in a tangible way, we cannot act surprised that these problematic documents exist and attempt to deal with the fallout as a public relations crisis. We cannot distance ourselves from the past and forget about the pain we have inflicted, only to remember when it is politically convenient to do so.

Footnotes:

“Editorial: Acknowledging Racial, Discriminatory Historical Practices on UMN Campus.” The Minnesota Daily. February 17, 2019. https://www.mndaily.com/article/2019/02/o-editorial-acknowledging-racial-discriminatory-historical-practices-on-umn-campus.

Samsel, Haley. “In Review of Yearbooks, American University Officials Uncover Fifteen Photos ‘of Concern.’” The Eagle. February 12, 2019. https://www.theeagleonline.com/article/2019/02/in-review-of-yearbooks-american-university-officials-uncover-fifteen-photos-of-concern.

“Offensive Content in Our Collections.” UMD Special Collections & University Archives (blog), February 26, 2019.   https://hornbakelibrary.wordpress.com/2019/02/26/offensive-content-in-our-collections/.

Stirgus, Eric. “Emory University to Create Commission to Review Racist Yearbook Photos.” Atlanta Journal-Constitution, February 20, 2019. https://www.ajc.com/news/local-education/emory-university-creates-commission-review-racist-yearbook-photos/fmIbZdVCMdt2jAhhpUsKtK/.

Steering Share: The Year in Review

Steering Shares  provide an opportunity to learn more about the I&A Steering Committee and the issues that the committee members care about. This post comes courtesy of committee member Steve Duckworth, University Archivist at Oregon Health & Science University.

For my last Steering Share this year, I’m taking a bit of a look back at the past year or so of my professional life. It’s my first year as a Steering Committee member, but it also marks roughly my first year as a University Archivist and of being actually in charge of stuff. (It also marks the near-end of considering myself a “new professional” even though I still very much feel like a newbie.) I’ve actually been here a year and a half, but the first 6 to 8 months were a muddle of trying to figure out where I was and what I was doing. My experience before coming into this position was all in processing collections and I absolutely loved doing that. But there are some perks to being a more responsible type of archivist, too.

I love the work of processing collections – learning about a person’s life and work, learning in-depth history about an organization, creating order from what often appears to be a sea of mismatched paper documents, crafting well-written findings aids that help people access those collections. And while I do miss being so immersed in that work (and having less overall responsibility in general – and fewer meetings), what I enjoy about this job is still related to that first archival love.

I manage a small team of people that do most of our processing work. I get to choose what collections are next in the processing queue. I meet with donors and learn about their lives, or their parents’ lives. I get to work on improving description and access for collections, and try to standardize the work we’re doing across all of our holdings. Possibly my favorite aspect of this job is training and mentoring library school students. I’ve always enjoyed teaching, and though I’m not teaching in an LIS program (anybody need an adjunct?), I am getting to impart my knowledge of how archival processing can work and of how it can be better. I also have the pleasure of learning from those students and having their knowledge and new ideas keep my perspective fresh.

While managing the archives here, I’ve also gotten to implement some major changes in my short time in this position. Since I’ve started, we’ve implemented web archiving with Archive-It, migrated from Archivists’ Toolkit to ArchivesSpace, and sorted out a processing workflow for born digital records with the help of the extraordinary training from a Digital POWRR Institute. I’ve published a peer-reviewed journal article and served as a peer reviewer myself, presented at a regional conference and at two national conferences, and I’m about to present a paper at an international conference. I curated my first exhibit. And I’ve started to learn the limits of my ability to manage multiple projects and committee requirements, while still keeping open the ability to say YES to exciting opportunities that pop up from time to time.

As the next year unfurls, I’m hoping to work more on incorporating teaching from and with the archives at my institution (which has never been much of a focus here), enhancing our digital holdings in a new digital repository structure, wrangling in our large medical artifacts collection, planning out the space of our (potential) new reading room, and helping the employees of the University get a better grasp on records management (even though that is emphatically not my job). So, while it’s been a whirlwind of sorts – moving from Processing Archivist to University Archivist – and I admittedly miss the pleasures of the former roles, there is enjoyment to be found amidst the higher stress level, including the increased ability to help make positive changes at my institution and in the archives profession.

Steering Share: A Look into LAAC’s ArchivesNOW Mini-Conference

Steering Shares are an opportunity to find out more about the I&A Steering Committee. This end-of-year post comes from I&A Vice Chair/Chair Elect Courtney Dean, a Project Archivist at the University of California at Los Angeles Library Special Collections.

As I mentioned way back in the fall, in my very first Steering Share, I am one of the co-founders of the Los Angeles Archivists Collective (LAAC) which is a local professional org that focuses on community building, skill-sharing, and outreach, with a particular emphasis on supporting students and new professionals.

Several weeks ago we held our first ever mini-conference, entitled ArchivesNOW, at UCLA Library. Co-sponsored by LAAC, the UCLA Library, and the UCLA Department of Information Studies, the day featured a host of presentations by MLIS students and early career professionals, addressing current issues in archives. The goal of the event was to provide space for the voices of students and new professionals, and to foster conversations from their unique vantage point. We aspired to facilitate open and honest discussions that led to awareness, reflection, and interrogation, and by all accounts, we were pretty successful!

pins
Photo by Angel Diaz. ArchivesNOW2018 swag!

The day started with a rousing keynote from Rebecca Goldman, College Archivist at Wellesley College in Massachusetts and the driving force behind the establishment of SAA’s Students and New Archives Professionals (SNAP) Section in 2012. (She also runs the amazing webcomic Derrangement and Description.) Taking inspiration from Obazi Ettarh’s “Vocational Awe and Librarianship: The Lies We Tell Ourselves” and Miya Tokumitsu’s Do What You Love and Other Lies About Success and Happiness, Rebecca posed a number of provocative questions, including:

  • How does the career path of new archivist affect archivist identity- and vice versa?
  • How do we fight unreasonable expectations of new archivists, especially young archivists?
  • How do new archivists build a professional identity without sacrificing all their other identities?
  • Does social media create an unrealistic image of archives work and archivists’ lives?
Rebecca
Photo by Sharon Farb. Keynote by Rebecca Goldman, bringing the truth.

(Video of Rebecca’s entire keynote will be available soon on the ArchivesNOW Speakers page!)

The morning session, “Getting Ready for Work,” included Jessica Maddox, Accessioning Archivist at the University of Nevada, Reno discussing her transition from student to accessioning archivist; Noah Geraci, Digital Assets Metadata Librarian at UC Riverside on getting started with [computer] programming for archivists; Alyssa Loera, Head of Digital Services and Technology at Cal Poly Pomona on teaching expectations in academic libraries and archives; and Karly Wildenhaus, MLIS Student at UCLA, on denormalizing unpaid positions in archives and libraries.

 

Karly
Photo by Snowden Becker. The real financial COST of working for free on a graduate intern, from Karly Wildenhaus.

Session 2, “Archival Dilemmas: Collection-Based Case Studies,” featured Carolina Meneses, a former Metadata Technician at the University of Miami, and incoming UCLA MLIS student, discussing the practices and challenges of archiving performance; Julia Hause, Archival Studies Student at UCLA, on reviving the Salton Sea History Museum; Jonathan Naveh, MLIS/Media Archival Studies Student at UCLA on the problems that arise when processing pornography; and LAAC’s own Grace Danico, on creating diversity and inclusivity through outreach and collaboration in LAAC’s Acid Free Magazine.

Session2
Photo by Courtney Dean. Angel Diaz introduces the afternoon panel.

The day ended with paletas and Snowden Becker, co-founder of the international Home Movie Day event and the nonprofit Center for Home Movies, and currently the MLIS Program Manager in UCLA’s Department of Information Studies. Snowden teased out some of the main themes of the day, encouraged everyone to fight for more salary transparency (“that’s how the man keeps us down!”), and challenged us to think critically about what constitutes “professionalism.”

snowden
Photo by Sharon Farb. Snowden Becker and our main takeaways.

Be sure to check out #ArchivesNOW2018 on Twitter for all of the hot takes. Community notes from the day available here.

As I approach my transition into the I&A chair position, I will be bringing with me an agenda filled with many of the issues that arose at ArchivesNOW. You’ll continue to hear about all of I&A’s ongoing dynamic projects, but expect an increased focus on things like the deleterious effects of unpaid internships and temporary positions on our profession; cultural humility; and, of course, cats. See you in D.C.!

Steering Share: University Archivists and advocacy

Steering Shares  provide an opportunity to learn more about the I&A Steering Committee and the issues that the committee members care about. This mid-year post comes courtesy of committee member Alison Stankrauff, the University Archivist at Wayne State University

I’ve been on the Issues and Advocacy Section’s Steering Committee since 2009 (a long time!) and I was chair of I&A from 2010 to 2012. There are a lot of things that drive me as a professional.

Here at Wayne State I’m fairly new as a professional – I began here this past September – so I’ve been here six months. That being said I’m coming back to Wayne State after receiving my archives degree here in 2002. I went away and served in two great positions between then and now – first as a Reference Archivist at the American Jewish Archives and then as Archivist and Associate Librarian at Indiana University South Bend.

Coming back to Wayne State – the university that I feel so deeply for – that I feel has given me the profession that I love – is a real honor, and an opportunity. I’m coming back in Wayne State’s sesquicentennial year – so there’s been a lot of celebration of this great urban university in the heart of the wonderful city of Detroit. 

Coming back to Wayne State as a full-blown professional with some great experience under my belt has enabled me to have the perspective and scope to connect with people all over the world who love Wayne State just as much as I do. These include the immediate campus community – university schools, departments, offices – and their faculty, students, staff, administrators. It also includes a lot of people who feel very connected to the university for many reasons: alumni as well as the community beyond.

I feel that being a University Archivist – first for 13 good years at Indiana University South Bend and now at my alma mater of Wayne State – means advocating for your repositories and always, always reaching out. It’s critical that we are actively connecting with all the – varied – communities that we serve.

We must let people know who we are, why we’re important, and show our value. We cannot wait for people to come to us. This underlines the fact that advocacy for our collections, our repositories, and our institutions has to be sewn into what we do.

I feel honored to serve this role at Wayne State University – and in a similar role with SAA’s Issues and Advocacy Section: that of advocate, ambassador, and communicator. Thank you for the opportunity to serve you – the membership of the Issues and Advocacy Section!

Steering Share: Respect the student employee

Steering Shares  provide an opportunity to learn more about the I&A Steering Committee and the issues that the committee members care about. This mid-year post comes courtesy of committee member Steve Duckworth, University Archivist at Oregon Health & Science University.

In my last Steering Share, I spoke about my concerns on archival labor. This is an issue that is being discussed more and more, including in Courtney Dean’s recent Steering Share and in Fobazi Ettarh‘s piece, “Vocational Awe and Librarianship.” For this post, I’m going to take this to a slightly more positive place (and prep for a presentation that I’ll be giving on the topic in April!) So…

Let’s talk about ways that archival professionals can maximize student positions and internships for the betterment of the student, while hopefully also getting some benefit out of it for our institutions. Please note, for the purposes of brevity, I use the word “student” as a general stand-in for employees, interns, or volunteers who are enrolled in a degree program and hoping to find a professional position in the library, archives, or museum fields.

My student workers tell me, and I like to believe them, that I’ve been extremely valuable in helping them find full-time employment. Can we all agree that one of the main goals of a student job is to find a professional position? Unfortunately, I feel that’s not how many pros out there view it. Mostly we view student employment, internships, and volunteer work as cheap labor to help us do what we need to get done because we’re all underfunded. But, while ‘getting stuff done’ is important, training and mentoring the doers in the process of the doing is much more valuable.

What I’m talking about is not all that revolutionary, but it does seem to be a little abnormal. Look at these student positions as mentorship opportunities, rather than cheap and temporary labor.  Some of the more concrete ideas you can try out in your own institution are listed below: 

  • Train students in archival practices. I was surprised to learn that students were often not trained for other jobs they’d had. Think of the job as a long-form class in archival processing and management, teach skills to help students negotiate complicated decision making and to know when to ask for help.
  • Be flexible when possible. If students don’t have public service duties, allow for flexible scheduling. If you have work that can be done offsite, consider allowing students to work from home from time to time.
  • Aid students in the job search process. Review resumes and cover letters; offer in-person and online interview practice sessions; recommend jobs they should apply for. If your institution has open sessions or presentations for job applicants, invite students to attend – it’s great experience to watch other people interview for jobs.
  • Expose students to a wide variety of job functions: exhibit planning, cataloging, reference support, physical and digital processing, project planning, etc.; the skills will come in handy for applying to a wide variety of jobs.
  • Support professional growth and scholarly output. Get to know students’ goals and interests. If possible, allow some work time for research. Offer financial support for meeting or conference attendance as possible, or help find a roommate, rideshare, or other cost-cutting measures. List students’ names as authors on finding aids; this helps during the job interviewing process. Where possible, instead of describing them as a “Student Assistant,” try “Archives Assistant” or no title at all.
  • Involve students in everything. I’ve learned students love new experiences and also getting away from their desks – the bonus for them is learning more aspects of the profession. Bring them everywhere: donor meetings, records pick-ups, hunting expeditions in the stacks, etc. Encourage students to attend relevant trainings being offered or events on campus. Allow them to serve on committees if they are interested, but don’t pressure them into it.

These are some concrete actions you can take, but more important is the work environment that you cultivate. Try to create a supportive environment where students feel comfortable asking questions and voicing opinions. This helps them develop and feel a part of the work being done, but also empowers students to bring up new thoughts on how to tackle problems. Don’t be afraid to learn from your students! Allow your ideas and common practices to be challenged by someone with a fresh view. Build trust with your workers and allow them autonomy to learn and grow; you should also review their work and offer feedback and critique when needed.

In assembling these ideas, I talked to my student workers and heard from them that one of the best things I’ve done for them was to not be condescending. Apparently they get a lot of condescension in both classroom and job settings. So I recommend that we try being more respectful or deferential, and more approachable and welcoming. I like to think that’s a simple place to start, and the rest can grow from there.

Steering Share: Samantha Brown

Steering Shares  provide an opportunity to learn more about the I&A Steering Committee and the issues that the committee members care about. This post come courtesy of the current I&A Intern, Samantha Brown. Along with serving as I&A’s intern and Social Media manager, Samantha works as an Assistant Archivist at the New-York Historical Society.  

I&A Intern Samantha Brown
I&A Intern Samantha Brown
How did you first get involved in archives?

The first time I considered a career in archives was after I completed my undergraduate degree. I knew that I wanted to work in libraries, but I wasn’t entirely sure what I wanted to do. Throughout high school and college, I had worked in a public library and enjoyed my job. However, being a public librarian wasn’t exactly what I was looking for. I wanted to find something that would combine my love for research, cataloging, libraries, museums, history, and politics into one career.

Since I was undecided, I sought out the advice of some librarians I knew. One suggested that I should look into becoming an archivist. While I knew about archives and their use by historians, I never thought about the people that maintained those records. After doing research on the internet and speaking to a few more librarians, I decided that being an archivist might be what I was looking for. With an idea in mind, I went ahead and applied to an information studies program that had a concentration in archives. After taking the introduction to archives class in my first semester of graduate school, it seemed like being an archivist was what I was looking for but I needed confirmation. I needed to actually work in an archive to see if the ideas I had in my head matched reality. Luckily for me, a class called “Archival Representation” was half in the classroom and half at a field site. In class, I learned the theories behind processing archival collections. At the field site, I applied the theories from the classroom and applied them to processing and describing an actual collection.The class was an amazing experience and helped me realize that archives were the thing for me. I loved taking an unorganized box of materials and creating something that is useable and accessible to researchers.

Once I finished this class, I wanted to make sure, once again, that working in archives was what I wanted and not something I just liked because of a class. That summer, I set up an internship working in the special collections department of a local college. For the three months of this internship, I was able to complete a variety of tasks and expand my knowledge of what it meant to be an archivist. Just like the class, I loved my experience. With two different experiences under my belt, I positively knew I had made the correct choice and made it my mission to become a professional archivist.

What made you want to be an intern for the I&A Section?

I decided to apply for the internship with the Issues & Advocacy Section because I wanted to connect with other archives professionals and use some of the skills I had gained working in public libraries to promote archives and archivists. In my current position as an assistant archivist, I am working in an isolated setting and don’t have much of an opportunity to meet other professionals or do outreach. By working on this committee, I hope to meet other archivists who can teach me about aspects of archives that I don’t already know about. Along with learning from others, I also want to share experience that I have gained from working in other types of library environments.

What is an archival issue that means a lot to you?

A problem that faces archives and archivists is visibility. While people know about historians and deeply care about the work they do, they do not know as much about the people and institutions that make the work of historians possible. This lack of visibility means that people don’t know about the importance of archivists and the records that they steward. While there have been great efforts by archives to create social media pages that will reach a wider audience than those we usually see conducting research, it’s questionable whether or not that is enough to make people care about archivists and the work they do. This means that along with gaining more visibility, we also need to inform people about our work and how our work impacts them as individuals as well as the impact that archives have on society at large.

ICYMI: Archives Association of Ontario Annual Meeting 2017

Our ICYMI series provide summaries of presentations, publications, webinars, and other educational opportunities that are of interest to I&A members. If you have an issue you would like to write about for this blog series or a previous post that you would like to respond to, please email archivesissues@gmail.com. The following is from Sara Janes, University Archivist for Lakehead University, Ontario.

The 2017 conference of the Archives Association of Ontario was held on the University of Toronto Campus, April 26-28. The theme, “Come Together: Meaningful Collaboration in a Connected World,” felt relevant to the participants as we discussed ways to work with each other and with the public to better support archives and communities across the province.

Focus on decolonization and Indigenous issues

Decolonization and indigenous issues were a significant theme, particularly as archives are beginning to respond to the Calls to Action of the Truth and Reconciliation Commission (TRC) and are engaging with Canada 150 celebrations. In one plenary session, Michael Etherington, of the Native Canadian Centre of Toronto, spoke about those calls to action, and the frequent disconnect between colonial institutions and Indigenous people and communities; in the other, Raymond Frogner, Director of Archives at University of Manitoba’s National Centre for Truth and Reconciliation, spoke about the impact of Indigenous thinkers such as George Hunt on archival theory and practices.

Responses to the TRC, engaging with Canada’s colonial past and present, and social justice issues were well represented throughout the conference, and these themes were often tied in with discussions around acquisition, archival management, and digital outreach, as well as working groups formed within various organizations.

Focus on collaboration and partnerships

Other presentations highlighted collaboration and cooperation between institutions. Papers touched on: collaboration for acquisition and collection development, appraisal of government records, sharing resources for digital preservation, teaching courses using archival material, online outreach and collaborative exhibits, and the work of student and young professional organizations. Overall, the program was excellent, and attendees found it difficult to choose between sessions.

Talks were also held on the past, present, and future of the Archives Association of Ontario, giving members a chance to learn more about how this organization has been shaped over the years and its plans for the future. In particular, this included a report on the first year of the Provincial Acquisition Strategy, and feedback on how to continue building cooperation between archival institutions in the province.

Other highlights

The formal side of the conference was supported by a variety of other opportunities for socializing, networking, and learning. Four archives tours were held: to the Arts and Letters Club of Toronto, the Canadian Lesbian and Gay Archives, the Thomas Fisher Rare Book Library and University of Toronto Archives, and the John M. Kelly Library Conservation Studio. The opening reception was held at the Thomas Fisher Rare Book Library, and attendees had many opportunities to catch up with each other during breaks and at pub nights.

The Banquet, held at Hart House, celebrated 20 years of the Archives and Records Management program at the University of Toronto iSchool. The Awards Lunch was held at at the Faculty Club, and honoured Suzanne Dubeau, Nick Ruest, the Hudson’s Bay Company, and the Hastings County Historical Society.

Many of the conference presentations have been posted online, and a Storify is also available.

 

Sara Janes is University Archivist for Lakehead University. She has an MLIS from McGill University, and has worked in archives and records management for ten years, with a focus on digital records issues, outreach, and education.

 

Archivist on the Issues: The Best of Both Worlds, Combining physical & digital primary source education

Archivists on the Issues is a forum for archivists to discuss the issues we are facing today. Today’s post comes from Adriana Flores, Assistant Archivist for Acquisitions at Boston University’s Howard Gotlieb Archival Research Center.

If you have an issue you would like to write about for this blog series or a previous post that you would like to respond to, please email archivesissues@gmail.com. Please note that opinions expressed in Archivists on the Issues posts do not indicate an official stance of SAA or the Issues and Advocacy Section.

 

If you have been keeping up on current trends in the archival profession, then you have heard about teaching with primary sources. The topic has had a distinct presence at the past few annual meetings, particularly the Reference, Access, and Outreach section’s full-day unconference, “Teaching With Primary Sources,” happening for the third time in Portland. However, another trend has also sparked my interest: creating education programs that utilize digitized archival materials. These programs offer access to primary sources in a whole new way and force archival educators to re-imagine the ways we’ve taught archival intelligence in the past. Clearly, teaching with primary sources is a vast subject with many approaches.

As an early professional, I am torn over how best to bring materials to college students. Should students be brought into the reading room to handle our rare and exciting materials themselves or should our items be scanned so students can access them from the comfort of their laptop? Or should students be exposed to both? To explore this issue further, I reviewed current literature on primary source education that highlight projects involving both physical and digital primary sources.

First, a quick overview of teaching with primary sources. Many archivists are not professionally trained educators so new publications, webinars, and other tools are vital to the transition from custodian to educator. Professors often enjoy incorporating primary sources into their classes because it gives their students an opportunity to engage with their lessons in a new and exciting way. In Teaching With Primary Sources, authors Elizabeth Yakel and Doris Malkmus write:

Textbooks and lectures present information in an authoritative voice, striving for clarity and concision, but research shows that students learn best when they experience cognitive dissonance and must struggle to make sense of new information by integrating it into an existing framework or building one around. (p. 35)

When engaged with primary sources, students are forced to think beyond the pre-packaged information often found in textbooks or articles. This method of teaching presents numerous opportunities for archival repositories to become more involved in course curriculum on campus.

When teaching with primary sources, the first approach that archivists can employ is straight-forward: bring students into archives. By allowing students to see archival materials first-hand, to touch them, to even smell them, understanding of the item can completely change. Physical materials often spark an interest in history by making an event or idea seem more tangible. Additionally, by being in an archival repository, students are able to learn more about how archives work and how to do research, also known as archival intelligence. As described in “AI: Archival Intelligence and User Expertise”:

Archival intelligence is a researcher’s knowledge of archival principles, practices, and institutions, such as the reasons underlying archival rules and procedures, how to develop search strategies to explore research questions, and an understanding of the relationship between primary sources and their surrogates. (p. 52)

By bringing college students into the archival repository and showing them primary sources, the archivist is able to impart archival intelligence, which will hopefully impact their future research skills. Overall, working with physical archival materials can make a lasting impact on students, which is both exciting and rewarding for archival educators.

Another approach to teaching with primary sources involves digital surrogates, which can be used to create online collections or exhibits, and expose a wider audience to archival materials. These platforms oftentimes make students feel more comfortable with the process of using primary sources; students can access documents from the comfort of their laptops without the limitations of reading room hours. Additionally, these methods can be great for distance or online-only students who are unable to visit campus. Digital projects will only become more prominent in our profession and it is worth investing the time to learn how to implement them.

It seems that the best way to expose students to primary sources is through a combination of physical and digital methods. By doing so, instructors are able to broaden their students’ research skill-sets and foster comfort and confidence with both in-person and online research. Yakel and Malkmus write:

While online sources are increasingly being used as substitutes for physical documents, both educators and archivists have also used online and physical records in a complementary sense. Instructors may introduce documents online to familiarize students with the sources and then bring students into the archives to focus on some of the material aspects of the items. Likewise, archivists may begin by introducing students to the actual records and then have them finish assignments using online collections…In the end, the important thing for both primary source and archival literacy is that students understand the advantages and disadvantages of using only actual, only online, or both types of primary sources. (p. 44)

By using primary sources in multiple formats, students are able to gain complementary research skills that will help them throughout their college career and beyond.

Lastly, working with both physical and digitized primary source materials presents one more exciting opportunity: digital humanities projects. At Nebraska University, archivists worked with faculty to create a series of classes that explored the relationship between physical and digital primary sources. Their goal for their students was to “…personally work with collections and learn more about the benefits of archival research through use of the materials in potentially compelling interpretative projects, and the online world would be able to discover our collections digitally” (Brink et al, p. 163). Digital humanities projects hold a great deal of potential for what primary source education can look like in the future; these projects are creative, collaborative, and constantly evolving. If you are struggling for a way to connect with humanities professors on campus, this is a great place to start.

Teaching with primary sources cannot be ignored by college and university archivists. Both physical and digital sources have their benefits and disadvantages while teaching, but I believe an education program is strongest when they are combined. If you are interested in learning more, I highly recommend SAA’s Teaching With Primary Sources, ACRL’s Past or Portal: Enhancing Undergraduate Learning through Special Collections and Archives, as well as attending RAO’s unconference. Any success stories, ideas, or reading suggestions? Please leave your comments below!

 

Adriana Flores is the Assistant Archivist for Acquisitions at Boston University’s Howard Gotlieb Archival Research Center. She graduated in 2016 with her MLIS from Simmons College, with a concentration in Archives Management. Currently, Adriana is also a contributor for SNAP’s “Year in the Life” blog series.

 

Sources Cited

Brink, Peterson, and Mary Ellen Ducey, Andrew Jewell, and Douglas Seefeldt.”Teaching Digital History through the University Archives: The Case of Nebraska U: A Collaborative History.” In Past or Portal?: Enhancing undergraduate learning through special collections and archives, by Eleanor Mitchell, Peggy Seiden, and Suzy Taraba, 163-68. Chicago: Association of College and Research Libraries, 2012.

Yakel, Elizabeth, and Deborah Torres. “AI: Archival Intelligence and User Expertise.” The American Archivist 66, no. 1 (2003): 51-78. Accessed April 20, 2017. doi:10.17723/aarc.66.1.q022h85pn51n5800. http://americanarchivist.org/doi/pdf/10.17723/aarc.66.1.q022h85pn51n5800?code=same-site

Yakel, Elizabeth, and Doris Malkmus. “Contextualizing Archival Literacy.” In Teaching with Primary Sources, by Lisa Janicke Hinchliffe and Christopher J. Prom, 5-68. Chicago: Society of American Archivists, 2016.