Hive Mind #2 – Spring Cleaning recap

This post comes courtesy of Steering Committee member Holly Rose McGee. Other members currently on the I&A Steering Committee include: Danielle Simpkins, Burkely Hermann, Caitlin Rizzo, Sheridan Sayles, Liz Call, and Claire Gordon.

It’s April and spring cleaning is top of mind, both in our homes and perhaps in our collections. The Hive Mind gathered in mid-April to discuss Deaccessioning and Reappraisal. The conversation was led by SAA Issues & Advocacy Vice Chair Liz Call and Steering Committee member Sheridan Sayles. Our two main conversation points were “Successful strategies for building Reappraisal and Deaccessioning workflows” and “Advocacy around deaccessioning, both internally and externally, and success stories.” It was another great meeting of minds and transfer of ideas and experiences, and there were requests for the resources mentioned by the group. I have tried to condense the main takeaways and shared links in this post. Please feel free to add to the conversation in the comments below.

Challenges:

  • Wanting to deaccession something that was actively acquired by previous staff but no longer fits the collection. Especially tricky if it is from a donor and wasn’t a purchased acquisition.
  • When co-workers give pushback and are not onboard with deaccessioning or reappraisal.
  • In state institutions, accessioned items become State property. Makes deaccessioning more complex.
  • Tracking down heirs of donors, if the original donor is deceased or no longer accessible.
  • People dumpster diving and re-donating items or questioning the repository on why the item was thrown away

Tools and things that help:

  • Language for accessioning something found in the collection but that has no paper trail within the Archives: FIC – “Found In Collection”
  • Having a collection policy
  • Reviewing incompletely processed collections (can help weed collections that are out of scope, and a fully processed collection may free up shelf space)

Disposal: A challenge that has its own problems. Here are some helpful ways to work with it.

  • In the case of books, even rare books, start with a WorldCat search, just to see what’s out there in libraries.
  • Also check free, digitized repositories online such as Hathi, Google, the Internet Archive, and the Getty Portal.
  • Reach out to other departments within your institution: perhaps it doesn’t fit your collection policy but might be of use elsewhere. For instance, weeded books from circulation might be of interest to the Rare Books department. Or published books in an archival collection could be passed to Circulation.
  • Research if other institutions hold the copyright and therefore have it in their collection so you can let yours go (example: VHS tapes of Riverdance held by an archive not associated with the creation of it.)
  • Reach out to other institutions who might have an interest in the material you are deaccessioning. Keep copies of the “reach out” communications in the control files, which should also include the final disposition of the item.
  • Some larger institutions have a department that handles destruction/disposal that you can contact before taking any action yourself.
  • Stamp things like books with a WITHDRAWN stamp, even before disposing.
  • Document the item being deaccessioned. Might want to take a digital photo or scan of the item to keep in the control files.
  • Some institutions are permitted to put their deaccessioned rare books up for bid, provided that they don’t have any institutional markings in them.
  • Disposal specifically of plaques:
    • Cover them with googly eyes and duct tape to avoid people fishing them out of the garbage and re-donating them
    • Disassemble, send metal pieces to a metal recycling facility, give wood to people who can reuse it.
    • Someone found a local trophy shop that would recycle and reuse old plaques

Good practices:

  • Use the SAA Guidelines for Reappraisal and Deaccessioning. Elizabeth Russell of the SAA Technical Subcommittee on Reappraisal and Deaccessioning joined the conversation and said that committee is responsible for maintaining the guidelines and making revisions as needed. She said that if you use the guidelines during a project, to please feel free to contact the committee members with feedback.
  • Go to your administration for support with reappraisal and deaccessioning.
  • Revisit or create the Collection Development Policy: Include the things you don’t accept, so donors won’t be surprised when these things are deaccessioned/returned to them, especially plaques.
  • Work interdepartmentally on guidelines for the repository, so that everyone is on the same page.
  • Be clear and transparent in the Deed of Gift and make it a topic of discussion with the donor. Make sure donors understand this before the transaction is complete. Include an option where if the institution decides not to keep something, the donor can choose to have it returned or discarded. Also include in the language that if no living donors or heirs are reached or in the absence of a deed of gift agreement, that the archivist will use their best professional judgement to deaccession appropriately.
  • When returning an item to a donor, make it a certified letter with return receipt.

Feelings:

  • Overwhelm!
  • The politics of trashcans in academic campuses
  • PLAQUES! We could probably do an entire session on them.
  • New motto (courtesy of Liz Call): I am not a dusty closet!

Links!

Resources:

https://www2.archivists.org/sites/all/files/GuidelinesForReappraisalDeaccessioning_2017.pdf

https://rowman.com/ISBN/9781538116005/Reappraisal-and-Deaccessioning-in-Archives-and-Special-Collections

https://cdn.nationalarchives.gov.uk/documents/Deaccessioning-and-disposal-guide.pdf

https://rbml.acrl.org/index.php/rbml/article/viewFile/138/138

 

Further topical reading:

https://www.artnews.com/art-news/news/whitney-museum-american-art-edward-hopper-deaccession-1234664840/

https://www.semshred.com/data-destruction-and-the-environment/

 

Free digitized collections online:

https://www.hathitrust.org/

https://books.google.com/

https://archive.org/

https://portal.getty.edu/

 

It was a fabulous discussion, and we had a great turn-out, from people well-versed in deaccessioning to those who have never even considered it. Participants ranged from students to Lone Arrangers to archivists within sprawling institutions and corporate repositories. At the end of the meeting, we discussed the possibility of a theme for the next Hive Mind meet-up: the environmental impact of Digital Archives as well as that of deaccessioning both physical and digital collections. For example, magnetic tapes can be recycled for base elements but there is no repurposing use for CD-ROMs. Interested? Join us for the next Hive Mind!

Steering Shares: Centering BIPOC Voices

Steering Shares are an opportunity to find out more about the I&A Steering Committee. This post comes courtesy of the past-chair of the I&A committee, Courtney Dean, the head of the Center for Primary Research and Training in UCLA Library Special Collections.

Following the deluge of organizational statements issued in support of racial justice (see this excellent list compiled by Project STAND), many archival institutions are rushing to embark upon antiracist work including description or redescripiton projects and new collecting efforts. While it’s extremely heartening to see mainstream institutions finally reconsider the treatment of BIPOC materials, staff, and communities we serve, rather than repeatedly issuing hollow commitments to EDI, I can’t help but think of a comment made during the recent Workplace Racial Equity Symposium: this urgency is in and of itself a product of white supremacy. So then, how do we ensure that we’re not simply dashing off bespoke projects that appease administrators but do little to enact lasting systemic change? Perhaps we should start by doing our homework.

The inimitable Dorthy Berry recently tweeted, “A new rule for archivists/librarians: before you ask anyone else about how to curate/describe/interpret historical materials related to African American history or racism, first you have to read even a single article about the genre/topic at hand.” I would add to this, take a look around your own institution before scrambling to acquire new collections. What voices and stories may be hidden in your holdings, silenced or erased through past descriptive practices, or lingering in your backlog? What reparative relationships with donors and communities can be made? 

When looking outside your own institution, consider who has been doing this work, probably unrecognized, and most likely unpaid, for years. Does your well-resourced institution really need to complete with existing community archives or reinvent the wheel when it comes to community-centered description? Are there ways to support this work that doesn’t include “hoovering up” materials? Can community members be compensated for their guidance? (Spoiler: NO, YES, YES.) 

I’ve found the following handful of readings and resources extremely helpful when conceptualizing ways that my own work, and the role I hold in my institution, can aid, rather than hinder, the dismantling of white supremacy in the archives. Oftentimes this may mean giving time and space to BIPOC colleagues and student workers to do the work they’ve long been advocating for, and taking their lead in determining the best ways I can support these efforts.

Call to Action: Archiving State-Sanctioned Violence Against Black People by Zakiya Collier

The Blackivists’ Five Tips for Organizers, Protestors, and Anyone Documenting Movements by The Blackivists

The Blackivists’ Five Tips for Donating Your Materials by The Blackivists

We Already Are by Yusef Omowale

Confronting Our Failure of Care Around the Legacies of Marginalized People in the Archives by Bergis Jules

Supporting our colleagues: Black archives, libraries, museums, and related organizations Google sheet created by the AWE Fund Organizing Committee

Black Excellence in LIS collaborative syllabus created by T-Kay Sangwand 

Archives for Black Lives in Philadelphia Anti-Racist Description Resources by Archives for Black Lives in Philadelphia’s Anti-Racist Description Working Group

SAA Community Reflection on Black Lives and Archives

Struggling to Breathe: Covid-19, Protest, and the LIS Response by Amelia N. Gibson, Renate Chancellor, Nicole A. Cooke, Sarah Park Dahlen, Beth Patin, and Yasmeen Shorish

Archivists on the Issues: Creating Environmentally Sustainable Digital Preservation: A Workshop

Archivists on the Issues is a forum for archivists to discuss the issues we are facing today. The following post is from Laura Alagna, Digital Preservation Librarian at Northwestern University; Keith Pendergrass, Digital Archivist at Baker Library Special Collections at Harvard Business School; Walker Sampson, Assistant Professor and Digital Archivist at the University of Colorado Boulder; and Tim Walsh, Software Developer at Artefactual Systems.

Background

In 2017, we  came together due to a shared concern over the increasing environmental impact of digital preservation. Despite some notable recent work calling attention to and investigating the environmental costs of practices in our field,[1] we observed that most discussion of sustainable digital preservation was still focused on financial and staffing concerns, sustaining practices as a long-term program, or on the large amount of electricity used by digital storage infrastructure. Additionally, we noticed that current frameworks and standards push practitioners toward optimal digital preservation whenever resources allow, instead of providing guidance when lower levels or standards may be sufficient.

In light of these trends, we proposed a paradigm shift in digital preservation practice in our 2019 article, “Toward Environmentally Sustainable Digital Preservation.”[2] Rather than focusing on strategies that simply reduce the unsustainability of current practice by improving the efficiency of the technological infrastructure we use to do our work, we argue that truly sustainable digital preservation can be achieved only when digital object management, successful use, and environmental sustainability are explicitly balanced and integrated into decision-making criteria. Suggesting a paradigm shift[3] along these lines, we outline ways for practitioners to critically reevaluate appraisal, permanence, and availability of digital content—providing a framework for integrating environmental sustainability into digital preservation practice.

Workshop Protocol

Throughout our research and writing, we returned again and again to a driving factor behind our work: that the changes we propose can make a difference. The breadth and enormity of the climate crisis should not drive us to despair that our actions are inefficacious. When aggregated, our actions can result in significant positive change. To this end, we want to continue sharing our work in the hope that it will inspire others to implement and advocate for environmental sustainability at their own organizations. To facilitate this, we developed a workshop protocol designed for participants to discuss issues of environmental sustainability in digital preservation, identify and enact change toward sustainable practices in their organizational contexts, and identify and plan further research. The protocol is available at: https://doi.org/10.21985/n2-hxe1-m195.

BitCurator Users Forum 2019: Workshop First Run

We ran the workshop for the first time at the BitCurator Users Forum 2019 on October 24, 2019 at Yale University. We briefly introduced our article’s core arguments, set the ground rules for discussion, and split into three discussion groups based on the paradigm shift areas. Groups reported back in two sessions, with participant-created notes available here.

In the first session, we broke into three groups, each lead by a facilitator:

  • Appraisal. Discussion in the appraisal group focused on collecting policies, and in particular that many participants feel that they do not have the authority to influence the appraisal process or collecting decisions. There was consensus that the low cost of storage has resulted in an reluctance to invest in staff and technological resources to conduct critical appraisal, and that reappraisal is even more difficult to accomplish.
  • Permanence. Participants in this discussion group also discussed digital storage, particularly whether participants’ organizations accounted for environmental factors when implementing new (or refreshed) on-premises or cloud storage solutions. On the idea of acceptable loss, participants discussed how much loss would be acceptable at their organizations in different contexts, and how the concept could be communicated with collection curators. Those in the permanence group also compared notes on how each organization approached fixity checking, with a wide variety of practices reported among participants.
  • Availability. This discussion group observed that the availability of digital content is tied to reappraisal and permanence decisions. Decisions earlier in a digital object’s life cycle have consequences for access that should be incorporated into organizations’ decision making and transparently explained to researchers. Participants discussed digitization projects in detail, particularly the issue of on-demand digitization versus mass digitization, and the lack of clear guidelines on determining what the critical mass of user need is that would move a collection or group of materials from on-demand to mass digitization.

After the general discussion on each of these areas, the three groups focused on plans for implementation, and the facilitators encouraged participants to think about actionable steps that they could take at their own organizations. A sample of these action items follows:

  • Appraisal
    • Develop and implement policies for regular reappraisal.
    • Ensure that curatorial and collecting guidelines cover digital content.
    • Write preservation policies that include tiered levels of preservation so that organizations can consistently select the most appropriate level during acquisition (and communicate this to donors).
  • Permanence
    • Promote collaboration with those responsible for appraisal to ensure implementations of tiered preservation solutions are meeting donor/organizational/user expectations.
    • Implement a lower tier of preservation commitment for digitized content that has a stable analog original.
    • Enact file format policies that do not migrate stable file formats.
  • Availability
    • Document demand for digitization to inform preservation approaches in line with the tiers advocated for in OCLC’s 2011 Scan and Deliver
    • Develop criteria for shifting collections or groups of materials from on-demand to mass digitization, especially for audiovisual materials.
    • Investigate central or interoperable discovery systems, to avoid duplicating digitization efforts across organizations.

When the groups reported out, it became clear that there were some implementation ideas common across all three areas. Foremost among these was advocating for environmental sustainability: all three groups brainstormed ways to advocate at their own organizations, from demonstrating the need for environmentally sustainable practice to working with existing environmental initiatives. Additionally, some participants noted that having more quantifiable data on the environmental impact of digital preservation, and the positive correlation between environmentally sustainable actions with staffing and financial sustainability, would help them make the case for their action plans to their organizations’ administrators.

Next Steps

We are making the workshop protocol available so that others can run this workshop at conferences and in their local organizations and communities. Conducting the workshop at BUF2019 made it clear that participants had many areas of shared interest, and significant enthusiasm for the subject. There is ample further opportunity to learn from each other and work together to implement specific actions across organizations.

We hope that individuals and existing or newly-formed working groups will take on investigating subjects such as:

  • Data and metrics on the impact of digital preservation at cultural heritage organizations.
  • Strategies for advocating for sustainable digital preservation practices.
  • Frameworks for gathering use statistics or user demand for digitization.
  • Guidelines and policies for implementing tiered preservation approaches.

We are excited to continue working with the digital preservation community on moving toward environmentally sustainable digital preservation and look forward to seeing new research on this topic from others.

[1] See for example Eira Tansey, “Archival Adaptation to Climate Change,” Sustainability: Science, Practice, & Policy 11, no. 2 (2015), https://doi.org/10.1080/15487733.2015.11908146; Benjamin Goldman, “It’s Not Easy Being Green(e): Digital Preservation in the Age of Climate Change,” in Archival Values: Essays in Honor of Mark Greene (Chicago: Society of American Archivists, 2019); and Linda Tadic, “The Environmental Impact of Digital Preservation” (presentation, Association of Moving Image Archivists conference, Portland, OR, November 18–21, 2015), updated December 2018, https://www.digitalbedrock.com/resources-2.

[2] Keith Pendergrass, Walker Sampson, Tim Walsh, and Laura Alagna, “Toward Environmentally Sustainable Digital Preservation,” American Archivist 82, no. 1 (2019), https://doi.org/10.17723/0360-9081-82.1.165, open access via Harvard DASH: https://dash.harvard.edu/handle/1/40741399.

[3] See Donella Meadows, Leverage Points: Places to Intervene in a System (Hartland, VT: The Sustainability Institute, 1999), open access via the Academy for Systems Change: http://donellameadows.org/wp-content/userfiles/Leverage_Points.pdf; and John R. Ehrenfeld, Sustainability by Design: A Subversive Strategy for Transforming Our Consumer Culture (New Haven, CT: Yale University Press, 2008).

Archivists on the Issues: An Update on UCLA temporary librarians

Archivists on the Issues is a forum for archivists to discuss the issues we are facing today. Today’s post comes from current and former UCLA Temporary Librarians. While all the contributors to this post currently hold or held archivist positions at UCLA, the term “librarian” is used since that is way the institution classifies these positions.  At UCLA, the term librarian is used to refer to a variety of academic staff. All staff under this umbrella term are afforded the same protections. For these reasons, the terms archivist and librarian are used interchangeably throughout the text.

UCLA_Entrance_Sign

Since writing an open letter to UCLA Library administration in June 2018, we have received support from colleagues from all over the country. Thank you. Our situation at UCLA, and the grievance filed on our behalf by our union UC-AFT, are still unresolved and we wanted to post a brief update.

The Situation

2013 MTV Movie Awards - Red Carpet

As archivists who are classified as temporary librarians, we are well acquainted with the many reasons why the practice of hiring on temporary contracts is problematic. Over the past five years, and maybe more, our department Library Special Collections (LSC) has had more temporary archivists than permanent. This undermines the professionalism, expertise, and worth of archivists, it damages our personal lives, it diminishes institutional knowledge, it inhibits long-term decision making, and it disrespects our donors, users, and collections. These reasons and more are detailed further in the temporary archivists’ open letter to UCLA Library administrators.

LSC is continuing to capitalize on promises of “processing, preserving, and making [collections] accessible” to attract funding during UCLA’s Centennial Campaign. LSC’s funding and staffing priorities, however, tell a different story: one in which curatorial and collection development positions are given the lion’s share of endowments and funding, while archival work is addressed only once, through the creation of a relatively paltry general “fund to support the processing of high-priority collections.” (And let’s call that what it is: funding for more temporary hires to deal with processing that administration has promised to high-priority donors without regard for our staffing constraints and existing priorities.) The UCLA Library continues to respond to core and ongoing departmental needs by systematically under-staffing the Collection Management unit of LSC, which manages the work of archivists and catalogers, with precarious temporary positions, while ignoring and denying the effects of such a practice.

LSC continues to create and fill curatorial positions while its Collection Management staffing reaches critically low levels, as archivists’ contracts continue to expire. Administration has attempted to obscure this by blurring archival responsibilities in the department’s recent positions, in this way undermining professional boundaries and devaluing the work of processing archivists, as well as creating an undue burden for these positions and providing no roadmap for processing work in the long term. The concentrated effect of these decisions and hiring practices is to deprofessionalize our jobs as archivists- and, given UCLA’s size and status, is bound to have far-reaching effects on our profession as a whole.

Grievance process

Our union UC-AFT filed a grievance on our behalf in May 2018. The grievance alleges that UCLA Library is in violation of Article 18 of our contract, which details specific conditions for the hiring of temporary librarians. We have exhausted Steps 1-3 of the grievance process, as well as a preliminary “informal” meeting that occurs prior to Step 1. At each step of this process, we have reiterated the ongoing and permanent nature of our work and cited the widespread professional support that our case has garnered. At each step, Library Human Resources (LHR), UC Labor Relations, and, most recently, the UC Office of the President (UCOP) have denied our requests, citing a variety of ever-changing justifications. As of earlier this month, UC-AFT has voted to bring our grievance to arbitration.  

To date, we have not received any direct response or acknowledgment from library administration. This lack of response has been particularly disappointing.

UC-AFT includes abuse of temporary appointments in bargaining

UC-AFT Unit 17 Librarians have been engaged in bargaining with the University of California since April 2018. At its fourth bargaining session in July, UC-AFT proposed changes to Article 18 of our MOU, regarding Temporary Librarian appointments. Drawing on our experience, the Temporary Librarians helped draft the language changes and gave testimony on the necessity of the proposed changes.

The current contract language on Temporary Appointees addresses the issue by attempting to limit the scenarios in which temporary appointees are appropriate. However, UCLA continues to abuse and misapply this article by exploiting various loopholes, which we felt were necessary to close. The suggested changes include limiting the situations in which hiring temporary appointments are appropriate to three scenarios: filling in for a librarian on leave, filling in for a temporarily assigned librarian, and time-limited projects fully funded by extramural funding (i.e., grant funding) or external funding (e.g., donor-funded). They also seek to require UC to inform temporary appointees whether they will be re-appointed within a specific timeframe, as well as give more notice if they will be released early — the latter coming with the right for the employee to have an informal hearing before the release. We felt it was important for the UCOP team to hear firsthand from temporary librarians about the deleterious effects of exploiting the temporary provision and hope that the UCOP team values hearing directly from affected staff.

Future updates

If you would like to continue to get updates on the UCLA temporary archivists, please sign up here: https://tinyletter.com/UCLAtemps

Links to additional information/coverage

Daily Bruin articles:

https://dailybruin.com/2018/07/29/submission-ucla-librarys-reliance-on-temporary-workers-is-inefficient-unethical/

https://dailybruin.com/2018/08/05/editorial-uclas-disregard-for-its-librarians-shows-once-again-its-exploitation-of-workers/

https://dailybruin.com/2018/07/27/librarians-bargain-with-ucop-about-academic-freedom-temporary-positions/

Professional support:

Leadership of the DLF Working Group on Labor’s Statement on UCLA Archivists

SCA Statement in Support of Temporary Archivists at UCLA: https://ift.tt/2zpl4bR

 

Steering Share: Chair, Courtney Dean

Steering Shares are an opportunity to find out more about the I&A Steering Committee. This kick-off post comes from I&A Chair Courtney Dean, Head of the Center for Primary Research and Training in UCLA Library Special Collections.

IMG_0601
I&A Chair, Courtney Dean, at the “Archives on the Hill” event

How did you first get involved in archives?

My undergraduate degree was in History but strangely enough I never visited my university’s Special Collections (where, incidentally, I now work!). After school I worked for a number of years in community mental health where I dealt a lot with documentation compliance, record retention schedules, and record requests- things I now know are fundamental to records management. At the time, I was considering pursuing a PhD in History but serendipitously kept meeting people who had gone through MLIS programs. Their jobs sounded so cool! This was also around the same time I learned about community archiving efforts such as the Queer Zine Archive Project (QZAP) and about nascent institutional efforts to document subcultures like Riot Grrrl. When I discovered that the UCLA Information Studies program had a strong social justice focus, I was completely sold.

What made you want to join the I&A Steering Committee?

Last year I served as Vice-Chair of the I&A Section and I’m really proud of the work we did, including serving as a platform to amplify discussions of inclusivity, barriers to access, and labor issues. Former Chair, Rachel Mandell, and I even got to take our advocacy efforts to D.C., where we participated in the “Archives on the Hill” initiative, sponsored by SAA-CoSA-NAGARA-RAAC. While I’m of the opinion that change can start close to home, I also strongly believe we can and should leverage our national professional organizations to engage in community and coalition building, and to provide a space to have the conversations we need to be having as a profession. I’m really looking forward to the work we have planned for the coming year, and all of our potential collaborations both inside and outside of SAA.

What is an archival issue that means a lot to you?

If you know me, you know that I’m currently devoting a lot of energy towards increasing the visibility of the proliferation of temporary and contract labor in GLAM organizations, and the resulting deleterious effects on individuals, institutions, donors, researchers, and the profession as a whole. It’s encouraging that conversations are becoming less siloed- there was a mention of temp labor in OCLC’s 2017 report entitled Research and Learning Agenda for Archives, Special, and Distinctive Collections in Research Libraries; in SAA President Tanya Zanish Belcher’s recent Off the Record blog post on invisible labor; and there were excellent discussions in several of the section meetings at SAA in August including Issues and Advocacy, the SNAP and Manuscripts Sections joint meeting, and the College and University Archives Section. Stay tuned for a forthcoming I&A survey that we hope will ground the conversation in current data.

Archivists on the Issues: Restrictions and the Case of the University of Michigan

Archivists on the Issues is a forum for archivists to discuss the issues we are facing today. Today’s post comes from Steering Committee member Samantha Brown, an Assistant Archivist at the New-York Historical Society.

As archivists, we are constantly weighing the rights of record creators and donors against the needs of researchers. Sometimes balancing these differing needs can lead to a struggle that puts archives and libraries in the middle. We can find an example of this in a recent news story involving the University of Michigan’s Bentley Historical Library.

The Bentley Historical Library’s story begins with the John Tanton Papers. The finding aid for the collection describes Dr. Tanton as an environmental, population control, and immigration reform advocate who has held leadership positions with the Sierra Club, Michigan Natural Areas Council, Wilderness and Natural Areas Advisory Board, Pictured Rocks National Lakeshore Advisory Commission, Little Traverse Conservancy, and the Environmental Fund [1]. What makes him a controversial figure was his work with the Federation for American Immigration Reform (FAIR), the Center for Immigration Studies (CIS) and NumbersUSA. While working with these organization, Dr. Tanton worked to reduce both legal and illegal immigration and opposed bilingualism in public schools and government agencies [2,3]. In addition to this work, Dr. Tanton also created a publishing company called The Social Contract Press which notably published The Turner Diaries which was a race war fantasy novel that is seen as a key work for members of the American white supremacist movement [2].  

Part of what makes this collection newsworthy is the fact that half of the collection is sealed. While boxes 1 through 14 are open to researchers without any special restrictions, boxes 15 through 25 are sealed until April 6, 2035 [3]. This presents a problem for Hassan Ahmad, a Virginia-based immigration attorney, who is trying to gain access to the whole collection. Mr. Ahmed believes that the collection could contain materials that show the relationship between anti-immigration groups and white nationalists as well as the influence that some of groups that Dr. Tanton has worked with are having on the White House [4]. The link between Dr. Tanton and the White House may very well exist. President Trump’s senior adviser Kellyanne Conway, transition aid Lou Barletta, policy adviser Julie Kirchner, and immigration advisor Kris Kobach all have ties to FAIR, an organization that Dr. Tanton founded and was a chairman of [1,4].

Believing that the sealed parts of the collection could hold important information and should be part of the public debate, Mr. Ahmed filed a Freedom of Information Act (FOIA) request with the University of Michigan in December 2016 but the request was denied as was the request to appeal the decision [3,5]. Both the original request and the appeal were denied on the basis of Dr. Tanton’s donor agreement with the library [3]. After being denied his FOIA request, Mr. Ahmed sued the University of Michigan to gain access to the restricted parts of the collection [3]. When the case was brought before a judge, the University of Michigan filed for a motion to dismiss the lawsuit based on the fact that parts of the collection were sealed due to the collection’s donor agreement [5]. While information about the donor agreement was disclosed in court, information about the donor agreement was not included in the collections finding aid [1,5]. The judge, Stephen Borello, ruled that since the collection was a private donation and not being used for a public purpose, the University of Michigan could not be compelled to open the collection [3]. Mr. Ahmed proceeded to appeal this ruling as well and is arguing that the university can’t use donor agreements to keep documents sealed. As of right now, he is scheduled to appear in court again in late September or early October when a ruling on his appeal will be made [3].

If Mr. Ahmed wins his appeal, the results could have a massive impact on archives and researchers. Without the ability to guarantee that parts of a collection can remain restricted, archivists may not be able to persuade people to donate or house their collections in an archive which will make it harder for the materials to be preserved and accessed. Access doesn’t just mean that someone can use the materials for their research but also that they can find the materials. A private person may have a collection that is helpful to someone’s research but a person looking for those materials may never be able to find it if an archive can’t create a way for those materials to be found. The work of archivists to arrange and describe collections plays a crucial role in a collection’s findability. If donors are too worried about giving their materials to archives because archivists can’t provide the donors with any guarantees then researchers lose out as well.

While this case holds risks for archives and archivists, it also teaches us something as well. Finding Aids need to be more than just a list of items and folder titles, they need to give researchers a preview of what the collection holds. One of the reasons that Mr. Ahmed wants to access the restricted materials is because he doesn’t know what is there. The finding aid’s description for the restricted materials only includes series and subseries titles with very little other information. If there was a way to know what could be found in the unrestricted  parts of the collection as compared to the restricted parts and what differentiated those parts of the collection then maybe there could be a way to work with Mr. Ahmed so that he could find what he is looking for in a different way. Other members of the organizations that Mr. Ahmed is interested in may have unrestricted collections at other institutions. Otis L. Graham Jr., another founding member of FAIR, for example, has some his collections housed at the University of California, Santa Barbara. The best result for both the researcher and archive, in my opinion, would be to find a way to help the researcher with their request without breaking the donor agreement. If this isn’t possible then I wonder why a box and folder list is even provided for the restricted materials. Why tell people that you have something if you’re unwilling to tell them about it? Without more information in the finding aid or speaking to the staff at the Bentley Historical Library and investigating their policies around arrangement and description, it’s difficult to know why the collection has been handled in this particular way. For now, we, as archivists, can look at this situation and use it to change how we both deal with collections and researchers.

 

Works Cited

  1. John Tanton Papers Finding Aid. University of Michigan, Bentley Historical Library, 14 Jun 2013, https://quod.lib.umich.edu/b/bhlead/umich-bhl-861056?view=text
  2. “John Tanton” Southern Poverty Law Center, www.splcenter.org/fighting-hate/extremist-files/individual/john-tanton
  3. Peet, Lisa. “Attorney Sues for Access to Tanton Papers in Closed Archive.” Library Journal, 18 Sept. 2018, https://www.libraryjournal.com/?detailStory=180918-Tanton-Papers
  4. Frazen, Rachel. “Why Is the University of Michigan Fighting to Keep an Anti-Immigration Leader’s Papers Secret?” The Daily Beast, 3 Sept. 2018, https://www.thedailybeast.com/why-is-university-of-michigan-fighting-to-keep-anti-immigration-leaders-papers-secret
  5. Warikoo, Niraj. “University of Michigan Oct.  Blocks Release of Hot-Button Records of Anti-Immigrant Leader.” Detroit Free Press, 28 Oct. 2017, https://www.freep.com/story/news/2017/10/17/university-michigan-blocks-release-anti-immigrant-records/732133001/

 

Steering Share: The Year in Review

Steering Shares  provide an opportunity to learn more about the I&A Steering Committee and the issues that the committee members care about. This post comes courtesy of committee member Steve Duckworth, University Archivist at Oregon Health & Science University.

For my last Steering Share this year, I’m taking a bit of a look back at the past year or so of my professional life. It’s my first year as a Steering Committee member, but it also marks roughly my first year as a University Archivist and of being actually in charge of stuff. (It also marks the near-end of considering myself a “new professional” even though I still very much feel like a newbie.) I’ve actually been here a year and a half, but the first 6 to 8 months were a muddle of trying to figure out where I was and what I was doing. My experience before coming into this position was all in processing collections and I absolutely loved doing that. But there are some perks to being a more responsible type of archivist, too.

I love the work of processing collections – learning about a person’s life and work, learning in-depth history about an organization, creating order from what often appears to be a sea of mismatched paper documents, crafting well-written findings aids that help people access those collections. And while I do miss being so immersed in that work (and having less overall responsibility in general – and fewer meetings), what I enjoy about this job is still related to that first archival love.

I manage a small team of people that do most of our processing work. I get to choose what collections are next in the processing queue. I meet with donors and learn about their lives, or their parents’ lives. I get to work on improving description and access for collections, and try to standardize the work we’re doing across all of our holdings. Possibly my favorite aspect of this job is training and mentoring library school students. I’ve always enjoyed teaching, and though I’m not teaching in an LIS program (anybody need an adjunct?), I am getting to impart my knowledge of how archival processing can work and of how it can be better. I also have the pleasure of learning from those students and having their knowledge and new ideas keep my perspective fresh.

While managing the archives here, I’ve also gotten to implement some major changes in my short time in this position. Since I’ve started, we’ve implemented web archiving with Archive-It, migrated from Archivists’ Toolkit to ArchivesSpace, and sorted out a processing workflow for born digital records with the help of the extraordinary training from a Digital POWRR Institute. I’ve published a peer-reviewed journal article and served as a peer reviewer myself, presented at a regional conference and at two national conferences, and I’m about to present a paper at an international conference. I curated my first exhibit. And I’ve started to learn the limits of my ability to manage multiple projects and committee requirements, while still keeping open the ability to say YES to exciting opportunities that pop up from time to time.

As the next year unfurls, I’m hoping to work more on incorporating teaching from and with the archives at my institution (which has never been much of a focus here), enhancing our digital holdings in a new digital repository structure, wrangling in our large medical artifacts collection, planning out the space of our (potential) new reading room, and helping the employees of the University get a better grasp on records management (even though that is emphatically not my job). So, while it’s been a whirlwind of sorts – moving from Processing Archivist to University Archivist – and I admittedly miss the pleasures of the former roles, there is enjoyment to be found amidst the higher stress level, including the increased ability to help make positive changes at my institution and in the archives profession.

ICYMI: Personal Digital Archiving, 2017

Our ICYMI series provide summaries of presentations, publications, webinars, and other educational opportunities that are of interest to I&A members. If you have an issue you would like to write about for this blog series or a previous post that you would like to respond to, please email archivesissues@gmail.com. The following is from Chelsea Gunn, a doctoral student at the University of Pittsburgh’s School of Computing and Information.

At the end of March, I traveled to Palo Alto to attend Personal Digital Archiving (PDA), hosted this year by Stanford University Libraries. This was my second time attending PDA (my first being last year, held at the University of Michigan) and my first time presenting at the conference. Over the course of two full days of presentations and one half-day of hands-on workshops and museum tours, professional archivists and dedicated amateurs alike approached personal digital archives from a range of perspectives, some familiar, and others entirely new to me. From a logistical standpoint, the single-track symposium format removes concerns about choosing one session over another, and well-placed breaks throughout the day allow pauses for reflection and conversation. In a day of densely-packed panels, pacing is particularly important, and moments for pause were especially appreciated.

As someone who specifically studies personal digital archives, attending PDA when possible has become something of a no-brainer for me. However, the range of ways in which presenters interpreted personal digital archives make this a conference that I think information professionals focused on other areas would also find relevant, both to their work and their own acts of personal record creation and preservation. The first day’s keynote speaker, Gary Wolf, raised questions about the long-term preservation of quantified self data, while the second keynote, delivered by Kim Christen, explored the personal archives of indigenous groups using the Mukurtu platform. Questions of sustainability, ownership, and access were common threads throughout each of these seemingly different talks, and these questions set the tone for many of the presentations that followed each day.

A number of this year’s presentations explored different approaches archivists have taken to working with and learning from donors and communities of practice; for example, accepting the born-digital materials of a composer, documenting the careers of dancers, or working with individual collectors of video games to inform archival best practices. Others (including my own) identified some of the challenges and opportunities related to preserving quantified self or lifelogging data, and how such data may fit in with the rest of our personal digital archives. Others still investigated the archival functions of specific formats, such as screenshots or animated GIFs from GeoCities websites.

I was particularly excited to hear from staff from the Salman Rushdie digital archive at Emory University on their experience moving from a high-profile discrete project to a comprehensive born-digital archives program. I had not previously been familiar with Jennifer Douglas’s work on intimate archives and online communities centered around grief, but was deeply moved by her presentation. A panel on PDA and social justice, grounded in the work of Copwatch and citizen documentation gave me a great deal to think about, and felt truly timely, as did a presentation on collecting documentation of student activism on college campuses.

The presentations closed with a retrospective panel, featuring Cathy Marshall, Mike Ashenfelder, Howard Besser, Clifford Lynch, and Jeff Ubois. Their discussion touched on the history of PDA and the buckets that presentations could generally be placed in – including outreach and activism, documentation strategies, community history, lifelogging, digital humanities, and storytelling. They noted that for many attendees, personal archives are not necessarily their professional responsibilities, but instead often a passion project. They concluded with a conversation about how PDA can be more accessible and inclusive in the future, and it occurred to me that that commitment to inclusivity is one of the aspects of PDA that I have most appreciated so far in my acquaintance with this conference.

At the risk of over-editorializing, or relying on cliché, the personal is absolutely political, and for many, it may feel more so now than ever. I appreciated the experience of being in an environment in which a breadth of perspectives related to the acts of creating or preserving personal records could be discussed. As individuals, we can engage with records (or own or others’) in diverse and deeply personal ways. The PDA conference and community provides a supportive space in which those myriad ways can be investigated alongside one another. While I don’t yet know the details of next year’s conference, it’s one that I encourage archivists (and others) to keep an eye out for and attend, if possible.

For a deeper dive into conference content, I highly recommend looking through the session descriptions and author bios on the conference schedule, as well as reading through the #PDA2017 hashtag on Twitter.

Mid-Year Steering Share: Dealing with Controversial Collections-the Remnants of Racist Artifacts and Objects

Steering Shares are an opportunity to find out more about the I&A Steering Committee. This post is from Issues & Advocacy Section chair Hope Dunbar, an Archivist at SUNY Buffalo State. The Mid-Year Steering Share was developed to discuss projects currently active or recently completed, either personal or professional.

The materials that comprise the Lester Glassner African American Experience Collection were gifted to the SUNY Buffalo State Archive & Special Collections in 2009 upon Mr. Glassner’s death. From his late teens onward he collected dime store memorabilia and other pop-culture artifacts until his collection amassed many rooms within his New York apartment and numbered into the hundreds of thousands. A significant portion of his collection centered on black memorabilia—the good, the bad, and the ugly. Collection items range from 1850 to 2005 and include a staggering span of African American depictions in pop culture within the United States.

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Upon the donation of the collection, the Archives & Special Collections had to determine how this material would be treated. Would it be displayed? Would it remain in the collection? Many items, most of the collection, depict patently racists images ranging from Sambo, Mammy, Uncle Rastus, and general “pickaninny” depictions. Archivists and librarians adhere to codes of conduct and ethics developed by both regional and national organizations, including SAA. We are taught through coursework and practical experience the complex nature of archival assessment and collection development, however we are rarely told what to do with offensive items. If we have tackled such topics, it is likely in our direct work with donors, patrons, and administration, as opposed to a formal introduction through classroom instruction.

In this instance, the Archive & Special Collections decided that the act of repressing such images would be to pretend such images, and consequently such opinions, did not exist. Instead, we framed the collection through the lens of discussion. These artifacts exist, they were produced to a mass market, and they depict cultural understandings of a historical period. Lester Glassner’s collection is extensive because he documented a full range of African American depictions through various time periods. He insisted the collection remain intact to provide context to the patron and student. Later items include positive representations such as African American Barbies, Santas, action figures, soldiers, and individual character depictions, such as Star Wars’ Mace Windu, Kendra from Buffy the Vampire Slayer, and Morpheus from The Matrix.

A selection are displayed in the main reading room and students who visit the department are encouraged to join the active discussion as we talk about the background and how the collection informs or clashes with their cultural perspectives. In addition, our collection page includes the historical background of the collection written by a former archivist in the department, again, to give context to the items.