Steering Share: Meet Bradley J. Wiles

Steering Shares are an opportunity to find out more about the I&A Steering Committee. This post comes courtesy of the Steering Committee member, Bradley J. Wiles, a PhD student in Information Studies at the University of Wisconsin-Milwaukee, School of Information Studies.

  1. What was your first experience working with archives?

I first encountered archives from the user perspective doing research at a university archives for a local history project. I came away with the impression that these folks (archivists) really have their act together because I was able to get what I needed very rapidly and the specific person I dealt with had an almost preternatural sense of what I would be interested in looking at and what follow-up questions I was going to ask. Needless to say, I was impressed but I didn’t really make much of a distinction between what archivists actually do from what other library and information professionals do. It was only some years later while working in a financial services firm that I started to appreciate the volume and complexity of modern records and how consequential their management (or mismanagement) can be. At that time a friend had been urging me to go to library school but I only decided to do it when I discovered that the program I was looking at offered an archives and records concentration. Since then my career has taken a number of different directions, but I’m somehow always drawn to archives in one way or another.

  1. What is an archival issue that means a lot to you?

The most important issue to me underlies or ties into almost every other issue that we as a profession seek to address–that of institutional sustainability. I think making sure we have stable and vibrant institutions–ones that are responsive to changing social conditions and value the profession’s expertise and perspectives–is key to enacting disciplinary and professional priorities related to education, training, job security, opportunity, outreach, diversity, equity, inclusion, and justice. We are unable to make progress in any of these areas without a strong foundation composed of the networks of institutions, professional groups, community stakeholders, and external champions who frequently have different ideas of what an archives is or should be in any given time or place. Very few archives exist as independent, self-sustaining entities and are thus dependent on institutional structures to carry out the key activity of any archives–to capture records and information for long term preservation and use. If these basic functions cannot be sustained long term at a societal level, then archives are worthless and all related goals are meaningless.

  1. What do you hope to gain by being on the I&A Steering Committee?

I wanted to join the I&A Steering Committee because I believe that the relatively recent adoption of a more activist approach by SAA has been a net positive for the archives profession, but needs to keep moving forward. This section serves a crucial role in helping to keep SAA members apprised of issues that directly impact our institutions, communities, and professional position, and I believe that it can be a leader in shaping SAA’s overall approach to internal and external advocacy. Like others on the Committee, I believe that I have the necessary background and a unique perspective that will positively contribute to the mission of this group and I appreciate being able to collaborate with others who are passionate about advocacy.

  1. What can we find you doing outside of the archival profession?

Outside of work, I spend as much time with my children as possible hanging out at Lake Michigan and looking for the best parks and restaurants in the Milwaukee metro region. I also like to write, play, and record music, so maybe if this archives thing doesn’t work out I’ll write the next “Who Let the Dogs Out” or “Mambo No. 5” and then retire early as a gazillionaire one-hit wonder. But for now, I’m busy with dissertation research, teaching, and volunteering on archives projects with a local historical society.

Archivists on the Issues: Discussion and Disagreement in Good Faith

Archivists on the Issues is a forum for archivists to discuss the issues we are facing today. The following post is from Bradley J. Wiles, a PhD student in Information Studies at the University of Wisconsin-Milwaukee, School of Information Studies. 

In August of 2019, I rejoined SAA and the general archives fold after several years away due to professional and personal factors that diverted my time and energy into other areas. I immediately second guessed this decision after reading about what happened at the SAA annual meeting with the cancelled Brown Bag Lunch discussion on Frank Boles’ unpublished article, “To Everything There is a Season.” I was not at the meeting, so I can’t speak firsthand about the “pall” cast over the proceedings by the session or whatever other immediate fallout resulted from the decision to cancel it. However, the subsequent explanations by the SAA council and American Archivist editors, along with the apparently unquestioning acceptance by the membership at large, demonstrated what has become so disappointing about discourse in academy-dominated professions like archives. Or, in this case, the resoundingly negative discourse on social media that seemed satisfied with mostly attacking Boles’ character while providing minimal analysis of the article or its arguments.[1]

In any event, when it comes to instances like the session cancellation, I would never accuse anyone of acting in bad faith nor would I question anyone’s motives for defending their principles and doing what they think is right. I have no doubt that there are many valid points that people could make and did make from a variety of perspectives. Specific responses to the Boles article recently made available on the American Archivist website offer some illumination from an oppositional standpoint.[2] My disappointment stems from the apparent inability or unwillingness to engage with ideas or opinions that do not fit prescribed insider viewpoints or that might merely suggest the slightest deviation from a set of rigid premises that now seem to dominate the professional discourse. Heck, I probably even agree with most of these premises, but the notion that I should not be spoiled by other views that disagree with them is absurd. I read the Boles article and there were some things that I liked in his argument and other things that I didn’t. Imagine my surprise when my brain didn’t explode upon this realization.

On the one hand, I can understand the distaste of highlighting controversy for its own sake, as expressed in the statement by the Archivists and Archives of Color Section. But it stretches credulity to claim that the article and lunch session were categorically divisive in intent, design, and execution. As far as I can tell, other reasons for it being canceled were flawed planning and because it was deemed incompatible with the program requirements for inclusivity. Ostensibly, it failed to adequately question how archivists are “navigating power dynamics, facilitating transparency, preserving the history of transgender and other marginalized communities, or researching transnational records to actively transform our pedagogy and practice, and how do our actions affect the people and communities we serve.” In my reading, Boles’ article generally fits within the spirit of this statement, but apparently his approach or conclusions did not properly align with how the program committee and others thought this should be expressed. Although, it’s not clear if anyone who made the decision to cancel the session had a problem with the article until the social media backlash began.

Unsurprisingly, Boles’ account anticipated the reaction that unfolded at the meeting. All official responding parties made it a point to say they reject censorship, welcome vigorous debate, and appreciate multiple viewpoints, but the cancellation makes clear that this is only true to a certain extent. And if Boles’ article represents the intellectual tolerance threshold or demarcates what is or is not acceptable in disciplinary discussions, then the profession and our institutions are in big trouble. In so many ways, the archives profession has gladly assumed many of the highly caricatured qualities of the academic left, but we’ve really leaned-in to the ideological calcification aspect of it without generating the commensurate usable knowledge an applied discipline demands. The resulting self-congratulatory spiral of conspicuous wokeness is both exhausting and meaningless, offering the veneer of intellectual robustness and social value without the substance. The admirable and necessary impulse to rethink and reform institutions and practices in the name of inclusivity, representation, and justice too often shifts into a knee-jerk rejection of anything that smacks of convention or tradition.

In a telling sign of these Trumpian times, the archives profession appears more likely than at any other point in my career to embrace a narrow orthodoxy that leaves little room for criticism or consideration of frameworks that do not mirror the inviolable beliefs of those now making the rules. I suppose that’s where my regret mostly resides—not because I reject those frameworks or beliefs out of hand, or because I think there is something so important or essential about Boles’ perspective or the cancelled discussion, but that this incident further galvanizes a standard that can be easily applied against anyone else who finds themselves out of step with that orthodoxy or the hashtag warriors enforcing it. And let’s be honest: it’s not like we’re shouting down neo-Nazis or tangling with fascists in the streets here. Attempting to spare the archives world from Boles’ perspective perfectly embodies the half-baked approach by the academic left to policing itself through speech and thought codes. At the end of the day it allows the archives profession to do what it has become so good at: patting ourselves on one side of our back, while flogging ourselves on the other.

It comes down to this: a judgement was made in the service of zero-sum identity politics that preempted anyone from having to think about the matter any more than necessary. But that’s just the world we live in now and I regret re-entering the archives professional fray in an atmosphere where intellectual freedom has become so loaded with preconditions and unwritten rules that are arbitrarily applied. But I also know that my regret—my ability to have it and express it—is tied to the relative privileges that I enjoy and I do not take this for granted, nor do I begrudge anyone’s right to be offended. My hope is that good faith professional discussions can still occur even if they are uncomfortable or contentious. Good faith assumes civility or at least the lack of malign intent. I don’t see how archivists advance as a profession if we cannot move forward on this basis, especially if our default reaction is umbrage against those with whom we might disagree, effectively killing necessary conversations before they begin.

[1] See the Twitter hashtag #thatdarnarticle for the tenor of the discussion, and for substantive analysis in other non-SAA venues see these blog posts by Geof Huth and Eira Tansey.

[2] See the responses by George, Inefuku, and Stuchel.

ICYMI: Introducing the A4BLiP Anti-Racist Description Resources

Our ICYMI series provide summaries of presentations, publications, webinars, and other educational opportunities that are of interest to I&A members. If you have an issue you would like to write about for this blog series or a previous post that you would like to respond to, please email archivesissues@gmail.com. The following is from Annalise Berdini, Digital Archivist at Princeton University’s Seeley G. Mudd Manuscript Library and member of A4BLiP. 

Archives for Black Lives in Philadelphia (A4BLiP) is a loose association of archivists, librarians, and allied professionals in the Philadelphia region responding to the issues raised by the Black Lives Matter movement. The A4BLiP Anti-Racist Description Resources project began as an initiative formed by various A4BLiP members in fall of 2017, specifically after a presentation they collaborated on at the 2017 SAA Liberated Archive forum with Teressa Raiford. Teressa is a Portland-based activist and founder of the organization Don’t Shoot PDX. Following the presentation, Teressa asked the group for recommendations for how she might approach a catalog audit. She wanted to initiate a project at Oregon State Library after learning about a racist subject catalog card there that a staff member had posted on Twitter. (The card read, “Negroes see also Crime and criminals. Portland.”)  

After some discussion, A4BLiP members realized that this was an area that lacked guidance for those doing archival description; many could recount instances of seeing description applied in ways that were racist, but none of us knew of any specific recommendations for how to address this in a programmatic way. As a way to both provide a framework for our own audits of racist description and to hopefully provide guidance that would be useful to other (white) archivists, we decided to create a set of recommendations collated from existing resources that we gathered for an extensive literature review, and enhanced by some of our own experiences. Additionally, the working group felt strongly that due to the fact that most of us were white women, we needed to ask for help from Black archivists to ensure that our recommendations did not cause harm and that we were, in fact, helping other archivists create more inclusive description. We created a GoFundMe for the project so that we could pay these reviewers for their time and expertise, and successfully funded enough to recruit nine reviewers, who contributed extensive recommendations and additional resources to the project. We are incredibly grateful for their assistance, which created a much stronger and more thoughtful product. 

The A4BLiP Anti-Racist Description Resources are broken up into three sections: a set of metadata recommendations, an annotated bibliography, and an extensive bibliography. The extensive bibliography was gathered first, reviewed in detail by members of the working group, and informed the other two sections.

The metadata recommendations are comprised of practical examples for anti-racist description that we hope can be put into practice across a wide array of institutions. The section is broken up into seven areas of focus, including Voice and Style, Community Collaboration and Expanding Audiences, Auditing Legacy Description and Reparative Processing, Handling Racist Folder Titles and Creator-Supplied Description, Describing Slavery Records, Subjects and Classification, and Transparency. Our recommendations in each of these sections were informed by our literature review as well as examples from our own experiences and the experiences and recommendations of our reviewers. Some recommendations should be fairly easy to apply day-to-day, like removing flowery and valorizing language in biographical notes or using accurate strong language like ‘rape’ or ‘lynching’ when appropriate. Others are more difficult and will require institutional change, like developing and maintaining ongoing relationships with collection creators in order to learn the language they use to describe themselves —  and to use that language in our description of their records. We hope that these recommendations will give others practical places from which to start their own descriptive review processes. They are by no means exhaustive, but include what we thought to be the most helpful and important recommendations.

The annotated bibliography includes a selection of theory-focused articles from the extensive bibliography that we chose to highlight based on their critique of descriptive practice and theory. Some of the articles, blogs, and presentations included do not necessarily focus on Black experiences or collections in the pursuit of highlighting shared strategies for anti-oppressive description. Our review in preparation for developing this resource reinforced our understanding that there is a wealth of research and dozens of important contributions to rectifying archival erasure and white supremacist description. But we recognize that few of us have as much time as we would like to read all of these works, and so we created the annotated bibliography in the hopes that it would help others quickly find resources that would help them rethink archival description.

For those looking to get started on creating more inclusive description, we recommend checking out the metadata recommendations first, particularly the sections on Voice and Style, Auditing Legacy Description, and Handling Racist Folder Titles and Creator-Supplied Description. These are probably the sections that will be most immediately applicable to most archives — how many of us have seen overly flowery and glowing biography notes of ‘great white men’, or passive language used to describe atrocities or distance humanity? How often do slavery records prioritize the enslavers before the enslaved? This is work that we as archivists can address quickly and which (hopefully) does not require overarching institutional change. 

We acknowledge that our recommendations are a starting point that highlights the work that other archivists have already done, but we hope that by gathering some of these practical recommendations, more of us can begin to undo the harm that our description often causes. The recommendations can be found through the A4BLiP site.

Archivists on the Issues: Where are all the California Archivists?

Archivists on the Issues is a forum for archivists to discuss the issues we are facing today. Today’s post comes from Joanna Black, the Digital Archivist at the Sierra Club’s William E. Colby Memorial Library.

It started with a discriminatory “bathroom bill” and ended with the absence of almost an entire state’s worth of SAA members. For this upcoming SAA 2019 annual conference in Austin, TX, there will be a considerable gap in representation from California-based archivists, most of whom are employed by the State of California.

Many of us recall in 2017 when the issue was first brought to the attention of SAA members. After the SAA Council narrowly voted to move forward with holding the 2019 annual conference in Texas – a state where legislators tried passing “bathroom bill” SB6[1] and, when that failed, passed HB 3859[2] which allows child welfare providers to refuse adoptions to LGBTQ individuals based on “sincerely held religious beliefs” – the SAA Council acknowledged[3] that Californians will be subject to California State Assembly Bill 1887,[4] which bans California State employees from traveling on business to Texas. This ban extends to the SAA 2019 annual conference.

Putting aside the appalling nature of HB 3859 and how social justice intersects with the archival profession (which the SAA AGM Program Committee Co-chairs acknowledge here), little attention has been given by SAA leadership on the impact of California archivists’ absence from this year’s conference. Beyond loose commitments to implement “live-streaming and/or other virtual conferencing options”[5] for those who cannot travel, and with limited evidence[6] two weeks before the annual conference that this commitment will be adequately honored, the exclusion of most California SAA members should be of concern to all members who value diverse perspectives and inclusion within the organization.

Each SAA annual conference is a chance to share professional values, build partnerships, and exchange ideas. It is one of the most prominent opportunities of the year for members to introduce themselves to greater diversity within the profession. The SAA Archives Records 2019 program website states:[7]

By attending the Joint Annual Meeting, you can:

  • Bring back fresh ideas and new knowledge to benefit all of your colleagues;
  • Discover cutting-edge tools and resources in the Exhibit Hall;
  • Enhance your professional development by attending a pre-conference course;
  • Become a better advocate for the archives, records, and information profession;
  • Network with colleagues, who may share new ideas you can implement at your institution or in your classroom; and
  • Promote your institution’s profile in the archives community!

But without the attendance of most California archivists – one of the most diverse blocks of archivists in the world – SAA members should consider how this absence limits perspectives within the conference itself and hinders the exchange of information within the profession as a whole. California is home to some of the most forward-thinking archivists in SAA, but how will their knowledge reach other members? How do California archivists build partnerships with other institutions when most are excluded from this year’s primary networking event? As one archivist from the University of California library system told me last month, “As archivists, we like to discuss inclusivity, but I do not find anything inclusive about holding our national meeting in a place where the majority of the archivists from our largest and most diverse state are unable to attend.”

As a California-based archivist, I am one of the lucky few who will be attending the conference this year (I am not a California State employee). I will be representing my institution as well as all my California colleagues who can not attend. As I prepare to be “on the front line”[8] of activism in Texas, I reflect on SAA’s Statement on Diversity and Inclusion. Diversity, it reads, encompasses not just “socio-cultural factors” but “professional and geographic factors” that reflect SAA’s “desire for broad participation from archivists working in various locations, repository types and sizes, and professional specializations.”[9] With little support offered to those California-based archivists excluded from the conference this year, SAA is falling short of its own commitment to “promote diversity and inclusion in all of [SAA’s] professional activities with an eye to ensuring effective representation of our members.”[10]

The SAA 2019 annual conference promises to address the intersection of social and political issues with the work of archives and archivists.[11] This also extends to the ways SAA members are able to show up, participate, and grow within the organization and its events. All SAA members should be cognizant of our colleagues, whether from California or elsewhere, who cannot attend the 2019 annual conference. When conference goers come together in Austin next month, let us support not only those whose lives are negatively impacted by the bigotry steeped in bills like HB 3859 but our archivist colleagues as well who, by extension of discriminatory legislation, have been excluded from this year’s gathering.

 

[1] Alexa Ura and Ryan Murphy, “Here’s what the Texas bathroom bill means in plain English,” https://apps.texastribune.org/texas-bathroom-bill-annotated/, (July 13, 2019).

[2] Legislature Of The State Of Texas, Chapter 45. Protection Of Rights Of Conscience For Child Welfare

Services Providers, https://capitol.texas.gov/tlodocs/85R/billtext/pdf/HB03859I.pdf – navpanes=0, (July 13, 2019).

[3] Tanya Zanish-Belcher, “An Open Letter to SAA Members Regarding the Location of the 2019 Annual Meeting,” https://www2.archivists.org/news/2017/an-open-letter-to-saa-members-regarding-the-location-of-the-2019-annual-meeting, (July 13, 2019).

[4] State Of California Department Of Justice Office Of The Attorney General, Prohibition on State-Funded and State-Sponsored Travel to States with Discriminatory Laws, Xavier Becerra. Assembly Bill No. 1887.  https://oag.ca.gov/ab1887 (July 13, 2019).

[5] Zanish-Belcher, https://www2.archivists.org/news/2017/an-open-letter-to-saa-members-regarding-the-location-of-the-2019-annual-meeting.

[6] There is no mention on the program website that any virtual conferencing options will be available to members. However, after reaching out to Carlos R. Salgado, Manager of SAA’s Service Center, regarding the virtual conferencing option, I was told that SAA “will be introducing live streaming this year and will be posting information to the conference website this week” (email received Jul 15, 2019).

[7] “‘Making Your Case’ to Attend,”https://www2.archivists.org/am2019/resources/making-your-case (July 13, 2019).

[8] Zanish-Belcher, https://www2.archivists.org/news/2017/an-open-letter-to-saa-members-regarding-the-location-of-the-2019-annual-meeting.

[9]  SAA Council, “SAA Statement on Diversity and Inclusion,” https://www2.archivists.org/statements/saa-statement-on-diversity-and-inclusion (July 13, 2019).

[10] ibid.

[11] Zanish-Belcher, https://www2.archivists.org/news/2017/an-open-letter-to-saa-members-regarding-the-location-of-the-2019-annual-meeting.

ICYMI: Society of California Archivists Annual General Meeting

Our ICYMI series provide summaries of presentations, publications, webinars, and other educational opportunities that are of interest to I&A members. If you have an issue you would like to write about for this blog series or a previous post that you would like to respond to, please email archivesissues@gmail.com. The following is from Rachel Mandell, I&A’s past-chair and Metadata Librarian at the USC Digital Library.

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Last month I attended the Society of California Archivists Annual General Meeting, which was held in Long Beach, California from April 24-27, 2019. I found much of the program to be of interest to our Issues & Advocacy members as many of the presentations and events were focused on inclusivity and diversity. The reception for the event was held on the Queen Mary ocean liner, which was fun for archivists and ghosts alike.

        One of the highlights of the conference was Michelle Caswell’s plenary discussing a feminist standpoint appraisal of archival materials. She argued that instead of continuing to allow historically dominant perspectives of what should, and should not, be considered of significant archival value, we ought to adopt a new way of appraising archival materials. The historically dominant perspective– which favors white, English-speaking, straight, men—continues to dominate when archivists from oppressed communities are left out of appraisal discussions and policies. What is even more likely than archivists from the underrepresented or oppressed perspectives being left out of the conversation, is archivists’ attempt to achieve a “value neutral” view of archival materials. Professor Caswell completely dismantles this belief that neutrality can be achieved and adds that this goal of neutrality in fact reinforces the current, oppressive structure.  Boom! I am so inspired to read forthcoming publications and eventually put into practice a new set of questions that we need to ask ourselves when conducting archival appraisal.

        Another exciting event that I want to highlight was the Labor Brown Bag lunch! In the last year, Issues and Advocacy has been very focused on labor issues faced by archivists. SCA is also joining the conversation! This brown bag lunch was an informal discussion and brainstorming session about forming a new SCA working group to monitor and address ongoing labor issues.

        Other talks related to inclusivity and diversity included:

“Building Belonging: Strategies for Diverse and Inclusive Collection Development, Inreach, Outreach, and Instruction”     
Zayda Delgao, Sonoma County Library
Robin M. Katz, University of California, Riverside
Craig Simpson, Son Jose State University

“Putting it Out There: Engaging Communities and Enhancing Access to LGBT Collections”

“Campfire: Practicing Inclusive Archival Description”
Noah Geraci, University of California, Riverside
Cyndi Shein, University of Nevada, Las Vegas

“Empowering Indigenous Communities through Inclusion”
Kelsey Martin
Stefani Baldivia, California State University, Chico
Celestina Castillo, Occidental College
Lylliam Posadas

“No Reprocessing Without Representation! Discovering Hidden Narratives During Routine Work”
Linh Gavin Do, Go For Broke National Education Center
Jamie Henricks, Japanese American National Museum
Lauren Longwell, Loyola Marymount University
Kate Wilson, Saint Mary’s College of California

Steering Share: A Reading List for Practicing Allyship in Archives

Steering Shares are an opportunity to find out more about the I&A Steering Committee. This post comes from I&A Chair Courtney Dean, Head of the Center for Primary Research and Training in UCLA Library Special Collections.

ArchivesNotNeutral

For the final Steering Share of my term as I&A Chair I was planning to provide an update on our section’s temporary labor survey which closed earlier this month. (We had 412 responses!) Instead, when I sat down to write last evening, I quickly found myself going down the wormhole of comments about a recent blog post that was shared via Library Journal’s Twitter account. I won’t go into too much detail (you can look it up yourself) but for those unfamiliar with the situation, a WOC librarian wrote a blog post about the whiteness of library collections, and as so often happens when POC speak truth about racism, the internet trolls came out en masse. (I encourage those of you on Twitter to go in and report them. It’s a quick and somewhat satisfying process.) Appalling enough as it is to have THOUSANDS of strangers leaving vitriolic, hateful, and blatantly racist comments, while also posting photos of the author and details about her workplace, it was especially reprehensible to see other librarians attacking her.

As archivists we’re sometimes inclined to think we don’t have a similar whiteness problem in our field, however one only needs to look at the numbers, or recall the backlash to Dr. Michelle Caswell’s Dismantling White Supremacy session at SAA a few years ago. For all of our talk of diversity, equity, and inclusion, we still struggle to recruit and retain archivists of color, and to acknowledge bias in our collecting practices. To this day I have colleagues who refuse to recognize that archives are not neutral.

Instead of continuing to rely on the on the intellectual and emotional labor of POC colleagues to tirelessly critique and challenge this problematic myth of neutrality, I encourage my fellow white archivists to check out the reading list below and start practicing allyship. We can all be doing better.

Below is a brief reading list in no particular order:

Issues and Advocacy: Archivists On The Issues: Answering The Call For Inclusivity, Summer Espinoza https://issuesandadvocacy.wordpress.com/2018/07/18/archivists-on-the-issues-answering-the-call-for-inclusivity/

Issues and Advocacy: Archivists on the Issues: Reflections on Privilege in the Archives, Summer Espinoza https://issuesandadvocacy.wordpress.com/2018/02/09/archivists-on-the-issues-reflections-on-privilege-in-the-archives/

Issues and Advocacy: #ARCHIVESSOWHITE In The Words Of Jarrett Drake  https://issuesandadvocacy.wordpress.com/2016/04/19/archivessowhite-in-the-words-of-jarrett-drake/

Honma, T. (2005). Trippin’ Over the Color Line: The Invisibility of Race in Library and Information Studies. InterActions: UCLA Journal of Education and Information Studies, 1(2). Retrieved from https://escholarship.org/uc/item/4nj0w1mp

Joan M. Schwartz and Terry Cook, “Archives, records, and power: The making of modern memory” Archival Science (2002) 2: 1, https://doi.org/10.1007/BF02435628.

Lae’l Hughes-Watkins, “Moving Toward a Reparative Archive: A Roadmap for a Holistic Approach to Disrupting Homogenous Histories in Academic Repositories and Creating Inclusive Spaces for Marginalized Voices” Journal of Contemporary Archival Studies vol. 5, (2018) https://elischolar.library.yale.edu/jcas/vol5/iss1/6/

Nicole A. Cook Information Services to Diverse Populations: Developing Culturally Competent Library Professionals (California: ABC-CLIO, 2017)

Mario H. Ramirez (2015) Being Assumed Not to Be: A Critique of Whiteness as an Archival Imperative. The American Archivist: Fall/Winter 2015, Vol. 78, No. 2, pp. 339-356. https://doi.org/10.17723/0360-9081.78.2.339

Expanding #ArchivesForBlackLives to Traditional Archival Repositories, Jarrett Drake, June 27, 2016. https://medium.com/on-archivy/expanding-archivesforblacklives-to-traditional-archival-repositories-b88641e2daf6

Caswell, Michelle (2017).  Teaching to Dismantle White Supremacy in Archives.Library Quarterly: Information, Community, Policy, 87(3) 223-235. http://www.journals.uchicago.edu.libproxy.csudh.edu/doi/pdfplus/10.1086/692299

Caswell, Michelle & Brilmyer, Gracen (2016).  Identifying & Dismantling White Supremacy in Archives: An Incomplete List of White Privileges in Archives and Action Items for Dismantling Them.  http://www.gracenbrilmyer.com/dismantling_whiteSupremacy_archives3.pdf  

Taylor, Chris (2017). Getting Our House in Order: Moving from Diversity to Inclusion. The American Archivist, 80(1), 19-29. https://doi.org/10.17723/0360-9081.80.1.19

Steering Share from Sara DeCaro

Steering Shares are an opportunity to find out more about the I&A Steering Committee. This post comes courtesy of I&A committee member, Sara DeCaro, University Archivist and Old Castle Museum Director at Baker University Library.

What is your favorite thing about your job or the archives profession?

There are some great things about being a “lone arranger” at a small private college. I have a lot of control over what we collect and projects we choose to take on. I also have a good idea of where the gaps are in representation, and I can actively take steps to fill in those gaps. I noticed, for example, that we don’t have a lot of records from student organizations on campus. These can be a very rich source of information because student organizations often form to meet the needs of historically marginalized groups; that was definitely the case when our African-American student group formed here in the 1970s. I’ve had conversations with them and our fairly new LGTBQIA group about future donations, and the response has been positive.

What made you want to join the I&A Steering Committee?

Archives and archivists, generally speaking, seem to be chronically underfunded and viewed as somehow lesser, or not essential. I’m really tired of that, and I want to do something about it. I know that’s a broad statement, but even if this is just a small thing I can do to enact change, it’s important to me.

What is an archival issue that means a lot to you?

Diversity and inclusion, in both our collections and employment practices. I think one of the most basic things we can do as a society to correct years of injustice towards marginalized people is to make sure their legacies are preserved. Labor issues are also very important to me; I often feel that wages for archivists don’t reflect the level of training and education we have.

Steering Share: Hello, from Summer Espinoza

Steering Shares are an opportunity to find out more about the I&A Steering Committee. This post comes from I&A steering member Summer Espinoza, Digital Archivist at California State University, Dominguez Hills

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“El Archivo”

How did you first get involved in archives?

I have enjoyed history from an early age. I used to visit my local public library’s reading room to listen to records and gaze upon all the “old materials.” As a child, my father also took me to antique shops where I learned to appreciate history from antique vendors, and sometimes take home a piece. The first time I discovered my own history was at my local library in a 1918 phone directory of my hometown– I found my great-grandparents’ street address.

It wasn’t actually until after I completed my degree that I connected these influences in my early life to my decision to earn an archives and records administration degree from San Jose State University.

At one of my first paying positions at a cultural heritage organization close to my hometown, I found a record of my great grandfather’s work as a citrus picker in materials not yet identified as having archival or historical value. I took it as a sign that I had landed in the right place.

What made you want to join the I&A Steering committee?

Last year I contributed to the “Archivists on the Issue” blog series. It was both challenging and rewarding to explore my professional interests. It was an opportunity for me to think more deeply about my experience as a practitioner and about my personal values and ethics relating to community records and personal identity politics.

On a recent MLK day (an observed holiday) I was at work. I had students from a local university campus in the archives at the cultural heritage organization for which I was the director of the archives. I remember thinking, “this is absolutely where I should be on this day. ” I was engaged in providing access to records of significant value to the history of oppression and exclusivity in our nation. In my own quiet way, I want to continue being an activist and this section gives me that opportunity.

What is an archival issue that means a lot to you?

I am very interested in practitioner experience in creating inclusive archives. In my first  “Archivists on the Issue” blog I wrote of the sometimes taxing and always relevant ways in which practicing inclusivity in daily work can create hesitation, confusion, and deflation of professional duty. I think within the theoretical ideas of inclusivity, as archivists, we often forget or minimize the connection to personal ethics, morals, and also emotion.

Steering Share: Chair, Courtney Dean

Steering Shares are an opportunity to find out more about the I&A Steering Committee. This kick-off post comes from I&A Chair Courtney Dean, Head of the Center for Primary Research and Training in UCLA Library Special Collections.

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I&A Chair, Courtney Dean, at the “Archives on the Hill” event

How did you first get involved in archives?

My undergraduate degree was in History but strangely enough I never visited my university’s Special Collections (where, incidentally, I now work!). After school I worked for a number of years in community mental health where I dealt a lot with documentation compliance, record retention schedules, and record requests- things I now know are fundamental to records management. At the time, I was considering pursuing a PhD in History but serendipitously kept meeting people who had gone through MLIS programs. Their jobs sounded so cool! This was also around the same time I learned about community archiving efforts such as the Queer Zine Archive Project (QZAP) and about nascent institutional efforts to document subcultures like Riot Grrrl. When I discovered that the UCLA Information Studies program had a strong social justice focus, I was completely sold.

What made you want to join the I&A Steering Committee?

Last year I served as Vice-Chair of the I&A Section and I’m really proud of the work we did, including serving as a platform to amplify discussions of inclusivity, barriers to access, and labor issues. Former Chair, Rachel Mandell, and I even got to take our advocacy efforts to D.C., where we participated in the “Archives on the Hill” initiative, sponsored by SAA-CoSA-NAGARA-RAAC. While I’m of the opinion that change can start close to home, I also strongly believe we can and should leverage our national professional organizations to engage in community and coalition building, and to provide a space to have the conversations we need to be having as a profession. I’m really looking forward to the work we have planned for the coming year, and all of our potential collaborations both inside and outside of SAA.

What is an archival issue that means a lot to you?

If you know me, you know that I’m currently devoting a lot of energy towards increasing the visibility of the proliferation of temporary and contract labor in GLAM organizations, and the resulting deleterious effects on individuals, institutions, donors, researchers, and the profession as a whole. It’s encouraging that conversations are becoming less siloed- there was a mention of temp labor in OCLC’s 2017 report entitled Research and Learning Agenda for Archives, Special, and Distinctive Collections in Research Libraries; in SAA President Tanya Zanish Belcher’s recent Off the Record blog post on invisible labor; and there were excellent discussions in several of the section meetings at SAA in August including Issues and Advocacy, the SNAP and Manuscripts Sections joint meeting, and the College and University Archives Section. Stay tuned for a forthcoming I&A survey that we hope will ground the conversation in current data.

Archivists on the Issues: Access and Inclusion in the Reading Room

Archivists on the Issues is a forum for archivists to discuss the issues we are facing today. Today’s post comes from regular writer for I&A’s blog, Lindy Smith, Reference Archivist at Bowling Green State University’s Music Library and Bill Schurk Sound Archives.

For my second in a series on Access and Accessibility in Archives, I will discuss physical access to collections and spaces. I did not want to cover physical accessibility since there was an SAA AMRT/RMRT Joint Working Group on Accessibility in Archives and Records Management that covered this in depth and has created excellent documentation for working with both patrons and professionals with disabilities.

My initial thoughts were unfocused, though I knew I wanted to touch on this idea of who is, and more importantly, feels welcome in our spaces. I have been thinking about this since last spring, when I attended a presentation on art education and museum outreach, and last summer, when I read Cecilia Caballero’s blog post, “Mothering While Brown in White Spaces, Or, When I Took My Son to Octavia Butler’s Exhibit.” My thoughts congealed into a more digestible mass in my brain after I attended a fabulous session at the Midwest Archives Conference annual meeting titled “Beyond Description: Toward Critical Praxis in Public Services,” featuring Anna Trammell, Cinda Nofziger, and Rachael Dreyer as panelists.

These three occurrences gave me a lot to think about regarding the people in our reading rooms and what we can do to increase access and inclusion to a wider range of patrons. I hope we as a profession can come up with solutions to improve access to our physical spaces.

Director Dialogue: In Conversation with Brian Kennedy

Last March I attended a public discussion between three art museum directors about how they approach art education at their respective institutions: Brian Kennedy, director of my local art museum, the Toledo Museum of Art; Gretchen Dietrich from the Utah Museum of Fine Arts; and Lori Fogarty of the Oakland Museum of California. Though I went looking for outreach ideas, I came out with many questions, which I summarized on my own [sadly neglected] personal blog shortly after the event.

The directors discussed how they conduct outreach to make their museums into community spaces, better anticipate user needs, and invite more of the people from their respective neighborhoods into their buildings. Libraries, especially public libraries, have served the role of community centers for decades and museums are now getting on board, but where does this leave archives among our GLAM counterparts?

Archival public spaces tend to be limited to utilitarian reading rooms and maybe exhibit space. What would it look like if we tried to build new kinds of spaces where people could interact with our collections in different ways? What if we focused on more than research needs and looked at other information needs we could fill? What if we built spaces that are comfortable and appealing to spend time in? What if people didn’t have to sit at an uncomfortable table in a silent, surveilled room to get access to our collections? I am sure some of you reading this are thinking, “We’re doing something like this!” I want to hear about it! Do you have a good model others can follow? Shout it from the rooftops (or @librarypaste on Twitter)!

Beyond Description: Toward Critical Praxis in Public Services

During the MAC session, Trammel, Nofziger, and Dreyer began by presenting the idea of taking a critical look not only at our collections and our profession, but also the public services our staffs provide, using Michelle Caswell’s instant classic “Teaching to Dismantle White Supremacy” as a basis to examine the barriers that keep some users from accessing archives. Caswell’s article provides a useful diagram to provoke thinking about ways white supremacy shows up in our work; the area on Access/Use is particularly relevant to this discussion, but it only scratches the surface.

The second part of the MAC session was an interactive activity where the room broke into groups and filled out a rubric that had a much longer list of types of barriers along with space to include a description of specific barriers to help guide the group discussions. The categories listed were as follows:

  • Technology (i.e. digital literacy)
  • Physical (i.e. vision or mobility challenges presented by public spaces)
  • Time (i.e. public hours, length of time required to conduct research, request and recall materials)
  • Financial (i.e. costs involved with accessing archives)
  • Documentation (i.e. registration requirements, identification required)
  • Policy (i.e. restrictions)
  • Identity (i.e. gender, sexuality, race)
  • Institutional/Systemic (i.e. whose interests & history are represented by holdings?)
  • Human Factor (i.e. customer service issues, approachability, etc.)

I found these categories to be excellent starting points to brainstorm.  For the sake of (comparative) brevity, I will not go into all of them here, but I want to talk through a few to give examples of how to use them as inspiration for brainstorming. Full disclosure: some of these came up or were inspired by my group’s discussion and did not spring fully formed from my own brain.

First example: Cost is a huge barrier. Obvious costs include memberships to private libraries and historical societies, photocopying or other reproduction services, or private researcher time, but hidden costs like parking, transportation, childcare, time off work, food and accommodations if researchers are coming from out of town are also present. It is great to collect materials from underrepresented communities, but if members of those communities cannot afford to come see and use materials from their own lives and experiences, we are still only serving people with the means to visit. To mitigate this, archives could provide research grants to members of the communities targeted in collection development projects. Institutions could also take their work directly to those communities, rather than continuing on relying on patrons to do all the work of coming to them.

A second barrier: Time. Many repositories have limited hours, often because of limited staffing or other concerns that are seemingly insurmountable, but we should take a closer look at ways to make ourselves more available outside “normal working hours” (or 9-12 and 1-4, or afternoons two days a week, etc.). People who work have to take time from jobs to visit, and if they have limited or no paid time off, this is a costly proposition, especially if their research needs require multiple visits. Archives can at least test extended or flexible hours as their circumstances allow. What if a repository closed on Wednesday afternoons in order to open Saturday afternoons instead? What if academic archives used students to stay open on weekends? My repository is somewhat unusual in that we have a circulating collection in addition to our special collections; so we have longer hours than most special collections – when school is in session, we’re open until 10pm five days a week and Saturdays and Sundays). We only have four full-time and one part-time staff in our department, so our terrific student employees keep things running on evenings and weekends. Sometimes staff members take an evening shift, but we flex that time and take it off during the week.

“Mothering While Brown in White Spaces, Or, When I Took My Son to Octavia Butler’s Exhibit”

I stumbled across Cecilia Cabellero’s post via Twitter last fall and it hit me hard. It is worth a read, because we can see some of these issues in action in a real person’s real life. Rather than try to rephrase her words with my own [white] words, take a minute to read her post and reflect on the issues she raises.

Cabellero mentions a specific library, but let’s be honest: this could be many of our repositories. She identifies it as being in a white space, as many archives and special collections are. Started by a wealthy white man for the use of other wealthy white men. A place where researchers need to have advanced degrees or letters of reference to access collections. Who is served by these policies? What is protected? For those of us with less stringent admission guidelines, what groups are we still keeping out? Do you require photo identification? Do you charge membership or usage fees? Many of our policies have good reasoning behind them and we are not likely to update them anytime soon. Are there better ways to communicate that to our users?

Cabellero was visiting an exhibit about Octavia Butler, a woman of color who wrote science fiction at a time when neither women nor people of color were particularly welcome in that genre (I am sure many would argue they still are not, but things have improved). Regardless of the library’s intentions, they created an environment in which a female writer of color did not feel comfortable or welcome or allowed to visit an exhibit with personal resonance.

One of Cabellero’s main points, as evidenced by the title, is her experience parenting in our spaces. This deserves some examination for archivists. Do you allow children in the reading room? If not, do parents who want to use your collections have other options? Childcare is expensive and may not always be available at convenient times. This disproportionately affects mothers, who often take on more childcare labor, especially during weekdays when archives tend to be open.

How often do we exclude as Caballero was excluded, or on similar but smaller scales? How often do our minor interactions with patrons leave them feeling unwelcome? I am sure I have unintentionally done this in my work. What kind of image do we project and how does that keep people away? How do we make archival spaces that are really for everyone?

It Take a Long Pull to Get There

I do not have nearly as many answers as questions, but let us have these discussions and attempt solutions that better serve all potential users. It won’t be quick or easy, but it will be worthwhile.

I’ll leave you with one final illustration. I studied musicology in graduate school and I often think back to a point that one of my professors, Dr. Gayle Sherwood Magee, made about the importance of representation and access, as illustrated by the 1935 opera Porgy and Bess. A little background if you’re unfamiliar: it is very controversial because a group of privileged white men wrote about poor black characters so the script play into a lot of negative stereotypes: characters are beggars, drug dealers, abusive partners, etc. It gave African-American singers the opportunity to perform on Broadway, something that was still remarkable when Hamilton premiered with a diverse cast 80 years later, but none of the characters portrayed in the opera had access to be in the audience and watch their stories playing out on stage. Are we doing the same thing in archives by focusing our diversity efforts on our staffs and collections, and not the people coming into our reading rooms?

 

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